Rope is a 1948 American crime film based on the play Rope (1929) by Patrick Hamilton and adapted by Hume Cronyn (treatment)[2] and Arthur Laurents, directed by Alfred Hitchcock and produced by Sidney Bernstein and Hitchcock as the first of their Transatlantic Pictures productions. Starring James Stewart, John Dall and Farley Granger, it is the first of Hitchcock's Technicolor films, and is notable for taking place in real time and being edited so as to appear as a single continuous shot through the use of long takes.
The original play was said to be inspired by the real-life murder of 14-year-old Bobby Franks in 1924 by University of Chicago students Nathan Leopold and Richard Loeb.
On a late afternoon, two brilliant young aesthetes, Brandon Shaw (Dall) and Phillip Morgan (Granger), murder a former classmate, David Kentley (Dick Hogan), in their apartment. They commit the crime as an intellectual exercise: they want to prove their superiority by committing the "perfect murder".
After hiding the body in a large antique wooden chest, Brandon and Phillip host a dinner party at the apartment which has a panoramic view of Manhattan's skyline. The guests, unaware of what has happened, include the victim's father Mr. Kentley (Cedric Hardwicke) and aunt Mrs. Atwater (Constance Collier) (his mother is not able to attend). Also there is his fiancee, Janet Walker (Joan Chandler) and her former lover Kenneth Lawrence (Douglas Dick), who was once David's close friend.
The film is one of Hitchcock's most experimental and "one of the most interesting experiments ever attempted by a major director working with big box-office names", abandoning many standard film techniques to allow for the long unbroken scenes. Each shot ran continuously for up to ten minutes without interruption. It was shot on a single set, aside from the opening establishing shot street scene under the credits. Camera moves were carefully planned and there was almost no editing.
The walls of the set were on rollers and could silently be moved out of the way to make way for the camera and then replaced when they were to come back into shot. Prop men constantly had to move the furniture and other props out of the way of the large Technicolor camera, and then ensure they were replaced in the correct location. A team of soundmen and camera operators kept the camera and microphones in constant motion, as the actors kept to a carefully choreographed set of cues
Monday, August 29, 2011
The Fugitive - 1993
The Fugitive is a 1993 American thriller film based on the television series of the same name. The film was directed by Andrew Davis and stars Harrison Ford and Tommy Lee Jones. The film was one of the few movies associated with a television series to be nominated for the Academy Award for Best Picture.
Dr. Richard Kimble, a successful vascular surgeon in Chicago, comes home one night to find his wife, Helen, fatally wounded by a one-armed man, and though he attempts to subdue the killer, the man escapes. The lack of evidence of a break-in, being the beneficiary of Helen's lucrative life insurance and a misunderstood 9-1-1 call led to Kimble being convicted of first-degree murder, for which he is sentenced to death. On his way to death row via bus, the other prisoners attempt an escape that wounds a guard and kills the driver, causing the bus to fall into the path of an oncoming train. Kimble barely escapes the bus's destruction—saving the guard's life by dragging him out of the bus—and flees into the night. Deputy Samuel Gerard and a group of US Marshals arrive, to locate and round up the escaped convicts while the injured are taken to a nearby hospital. Kimble sneaks into the same hospital to treat his wounds and change his appearance. While leaving the hospital, he is recognized by the injured guard, but escapes in an ambulance. Gerard and his team blockade a tunnel through a nearby dam to stop Kimble's escape, but Kimble abandons the vehicle and climbs into the storm water system. Kimble is eventually cornered by Gerard above the outlet of the dam spillway. Kimble dives over the edge and swims downstream, leaving no trail for the Marshals to follow.
Dr. Richard Kimble, a successful vascular surgeon in Chicago, comes home one night to find his wife, Helen, fatally wounded by a one-armed man, and though he attempts to subdue the killer, the man escapes. The lack of evidence of a break-in, being the beneficiary of Helen's lucrative life insurance and a misunderstood 9-1-1 call led to Kimble being convicted of first-degree murder, for which he is sentenced to death. On his way to death row via bus, the other prisoners attempt an escape that wounds a guard and kills the driver, causing the bus to fall into the path of an oncoming train. Kimble barely escapes the bus's destruction—saving the guard's life by dragging him out of the bus—and flees into the night. Deputy Samuel Gerard and a group of US Marshals arrive, to locate and round up the escaped convicts while the injured are taken to a nearby hospital. Kimble sneaks into the same hospital to treat his wounds and change his appearance. While leaving the hospital, he is recognized by the injured guard, but escapes in an ambulance. Gerard and his team blockade a tunnel through a nearby dam to stop Kimble's escape, but Kimble abandons the vehicle and climbs into the storm water system. Kimble is eventually cornered by Gerard above the outlet of the dam spillway. Kimble dives over the edge and swims downstream, leaving no trail for the Marshals to follow.
Tess - 1979
Tess of the d'Urbervilles: A Pure Woman Faithfully Presented, also known as Tess of the d'Urbervilles: A Pure Woman, Tess of the d'Urbervilles or just Tess, is a novel by Thomas Hardy, first published in 1891. It initially appeared in a censored and serialised version, published by the British illustrated newspaper, The Graphic. It is Hardy's penultimate novel, followed by Jude the Obscure. Though now considered an important work of English literature, the book received mixed reviews when it first appeared, in part because it challenged the sexual mores of Hardy's day. The original manuscript is on display at the British Library, showing that it was originally titled "Daughter of the d'Urbervilles.
The 1979 "TESS" film directed by Roman Polanski, as an adaptation of Thomas Hardy's 1891 novel Tess of the d'Urbervilles tells the story of a strong-willed, young peasant girl who finds out she has title connections by way of her old aristocratic surname, who is raped by her wealthy cousin, whose right to the family title may not be as strong as he claims. The screenplay was by Gérard Brach, John Brownjohn, and Roman Polanski.
Polański made the film because the last time he saw his wife Sharon Tate alive (before she was murdered by Charles Manson's family), she had given him a copy of Tess of the d'Urbervilles and said it would make a great film. The dedication at the opening of the film reads simply: "to Sharon".
Although the film is set in England, it was filmed in Locronan, Brittany, France. Polanski was wanted as a fugitive in the United States, and he could have been extradited from the United Kingdom.
On 28 October 1978, cinematographer Geoffrey Unsworth died of a heart attack during the third week of shooting. Most of the scenes he shot were exteriors in the first half of the film and can be distinguished by their use of fog and slight diffusion. Ghislain Cloquet shot the remainder of the film, including most of the interior scenes, without diffusion. Unsworth and Cloquet were both named in the successful nomination for Academy Award for Best Cinematography. Cloquet alone was nominated for and won the César Award for Cinematography. This is the perfect film for a rainy afternoon or night.
The 1979 "TESS" film directed by Roman Polanski, as an adaptation of Thomas Hardy's 1891 novel Tess of the d'Urbervilles tells the story of a strong-willed, young peasant girl who finds out she has title connections by way of her old aristocratic surname, who is raped by her wealthy cousin, whose right to the family title may not be as strong as he claims. The screenplay was by Gérard Brach, John Brownjohn, and Roman Polanski.
Polański made the film because the last time he saw his wife Sharon Tate alive (before she was murdered by Charles Manson's family), she had given him a copy of Tess of the d'Urbervilles and said it would make a great film. The dedication at the opening of the film reads simply: "to Sharon".
Although the film is set in England, it was filmed in Locronan, Brittany, France. Polanski was wanted as a fugitive in the United States, and he could have been extradited from the United Kingdom.
On 28 October 1978, cinematographer Geoffrey Unsworth died of a heart attack during the third week of shooting. Most of the scenes he shot were exteriors in the first half of the film and can be distinguished by their use of fog and slight diffusion. Ghislain Cloquet shot the remainder of the film, including most of the interior scenes, without diffusion. Unsworth and Cloquet were both named in the successful nomination for Academy Award for Best Cinematography. Cloquet alone was nominated for and won the César Award for Cinematography. This is the perfect film for a rainy afternoon or night.
Jiro Dreams of Sushi - 2011
This is an excellent documentary that I discovered during the 2011 TRIBECA Film Festival. It will make you realize that for one to become a 'expert' in any one thing that they must 'master the skill' and continue to do so. Be sure to have a plate of sushi appetizers to eat during or after the film.
Shooting mostly in the 10-seater basement restaurant Sukiyayabashi Jiro (whose menu starts at around $300 minimum) in Ginza, the feature itself is largely squashed inside the chef’s small, meticulously routine world. Interviews with Jiro, his sons, his apprentices and food critics concur on his perfectionist attitude — not surprising if one is familiar with Japanese reverence for “shokunin” (artisan's) dedicated work ethic.
Shooting mostly in the 10-seater basement restaurant Sukiyayabashi Jiro (whose menu starts at around $300 minimum) in Ginza, the feature itself is largely squashed inside the chef’s small, meticulously routine world. Interviews with Jiro, his sons, his apprentices and food critics concur on his perfectionist attitude — not surprising if one is familiar with Japanese reverence for “shokunin” (artisan's) dedicated work ethic.
A Perfect Murder - 1998
A Perfect Murder is a 1998 American thriller film directed by Andrew Davis and starring Michael Douglas, Gwyneth Paltrow and Viggo Mortensen. It is modern a remake of Alfred Hitchcock's 1954 film, Dial M for Murder, though the characters' names are all changed, and over half the plot is completely rewritten and altered. Loosely based on the play by Frederick Knott, the screenplay was written by Patrick Smith Kelly.
Steven Taylor (Michael Douglas) is a Wall Street hedge fund manager. His investments and speculations allow him to live an extravagant upper class lifestyle with his much younger wife, Emily (Gwyneth Paltrow). Unfortunately for Taylor, his investments are unraveling, so he will need his wife's personal fortune to maintain his status and lifestyle.
Emily seems a faithful wife, but, in reality, she is having an affair with a painter, David (Viggo Mortensen), and is considering leaving her husband. Emily thinks she is safe, but Steven knows everything about the affair. He has also been able to uncover David’s past as an ex-convict with a habit of playing con games on rich women.
Steven goes to David's loft, where Emily accidentally left her wedding ring. However, rather than confront the con man or threaten to betray his true identity, Steven instead makes him an offer of $500,000 in cash to murder his wife.
The film received mixed reviews from critics: Stephen Holden of The New York Times called it a "skillfully plotted update of Frederick Knott's play". Roger Ebert wrote "It works like a nasty little machine to keep us involved and disturbed; my attention never strayed".
Steven Taylor (Michael Douglas) is a Wall Street hedge fund manager. His investments and speculations allow him to live an extravagant upper class lifestyle with his much younger wife, Emily (Gwyneth Paltrow). Unfortunately for Taylor, his investments are unraveling, so he will need his wife's personal fortune to maintain his status and lifestyle.
Emily seems a faithful wife, but, in reality, she is having an affair with a painter, David (Viggo Mortensen), and is considering leaving her husband. Emily thinks she is safe, but Steven knows everything about the affair. He has also been able to uncover David’s past as an ex-convict with a habit of playing con games on rich women.
Steven goes to David's loft, where Emily accidentally left her wedding ring. However, rather than confront the con man or threaten to betray his true identity, Steven instead makes him an offer of $500,000 in cash to murder his wife.
The film received mixed reviews from critics: Stephen Holden of The New York Times called it a "skillfully plotted update of Frederick Knott's play". Roger Ebert wrote "It works like a nasty little machine to keep us involved and disturbed; my attention never strayed".
Some Like It Hot - 1959
Some Like It Hot is an American comedy film, made in 1958 and released in 1959, which was directed by Billy Wilder and starred Marilyn Monroe, Tony Curtis, Jack Lemmon and George Raft. The supporting cast includes Joe E. Brown, Pat O'Brien and Nehemiah Persoff. The film is a remake by Wilder and I. A. L. Diamond of a 1935 French movie, Fanfare d'Amour, from the story by Robert Thoeren and Michael Logan, which was itself remade in 1951 by German director Kurt Hoffmann as Fanfaren der Liebe. Both the French and German films were without the gangsters that are integral to the plot of Some Like It Hot. Wilder's working title for his film was Fanfares of Love, then Not Tonight, Josephine before he decided on Some Like It Hot as its release title.
During 1981, after the worldwide success of the French comedy La Cage aux Folles, United Artists re-released Some Like It Hot to theatres. In 2000, the American Film Institute listed Some Like It Hot as the greatest American comedy film of all time.
During 1981, after the worldwide success of the French comedy La Cage aux Folles, United Artists re-released Some Like It Hot to theatres. In 2000, the American Film Institute listed Some Like It Hot as the greatest American comedy film of all time.
Der Untergang (Downfall) - 2004
Downfall (German: Der Untergang) is a 2004 German/Italian/Austrian epic war film directed by Oliver Hirschbiegel, depicting the final ten days of Adolf Hitler's life in his Berlin bunker and Nazi Germany in 1945.
The film was written by Bernd Eichinger, and based upon the books Inside Hitler's Bunker, by historian Joachim Fest; Until the Final Hour, the memoirs of Traudl Junge, one of Hitler's secretaries; portions of Albert Speer's memoirs Inside the Third Reich; Hitler's Last Days: An Eye–Witness Account, by Gerhardt Boldt; Das Notlazarett Unter Der Reichskanzlei: Ein Arzt Erlebt Hitlers Ende in Berlin (memoirs) by Doctor Ernst-Günther Schenck; and Soldat: Reflections of a German Soldier, 1936–1949 (memoirs) by Siegfried Knappe. The film was nominated for the Academy Award for Best Foreign Language Film.
In 1942, a group of German secretaries are escorted to Adolf Hitler's (Bruno Ganz) compound at the Wolf's Lair in East Prussia. After dictating to her for a moment and despite multiple mistakes, Hitler selects Traudl Humps (Alexandra Maria Lara) to be one of his personal secretaries.
The scene shifts to Hitler's 56th birthday on April 20, 1945. Secretary Traudl Humps (now Traudl Junge) is awakened in the Führerbunker by the sound of Soviet artillery. Later, Generals Wilhelm Burgdorf and Karl Koller confirm to a surprised Hitler that the Red Army is just 12 kilometres from the city centre. Later, at his birthday reception, Reichsführer-SS Heinrich Himmler (Ulrich Noethen) and his SS adjutant Hermann Fegelein (Thomas Kretschmann) plead with Hitler to allow himself to be evacuated from the city. Instead, Hitler declares, "I will defeat them in Berlin, or face my downfall." Himmler leaves Berlin with the intention of negotiating surrender terms with the Western Allies behind Hitler's back.
In another part of the city, a group of Hitler Youth members continue to build up defenses for the defense of Berlin. Peter, a boy in the group, is vainly urged by his father to desert and flee the city. Later, Peter's unit is part of a group which is awarded the Iron Cross by Hitler.
The film was written by Bernd Eichinger, and based upon the books Inside Hitler's Bunker, by historian Joachim Fest; Until the Final Hour, the memoirs of Traudl Junge, one of Hitler's secretaries; portions of Albert Speer's memoirs Inside the Third Reich; Hitler's Last Days: An Eye–Witness Account, by Gerhardt Boldt; Das Notlazarett Unter Der Reichskanzlei: Ein Arzt Erlebt Hitlers Ende in Berlin (memoirs) by Doctor Ernst-Günther Schenck; and Soldat: Reflections of a German Soldier, 1936–1949 (memoirs) by Siegfried Knappe. The film was nominated for the Academy Award for Best Foreign Language Film.
In 1942, a group of German secretaries are escorted to Adolf Hitler's (Bruno Ganz) compound at the Wolf's Lair in East Prussia. After dictating to her for a moment and despite multiple mistakes, Hitler selects Traudl Humps (Alexandra Maria Lara) to be one of his personal secretaries.
The scene shifts to Hitler's 56th birthday on April 20, 1945. Secretary Traudl Humps (now Traudl Junge) is awakened in the Führerbunker by the sound of Soviet artillery. Later, Generals Wilhelm Burgdorf and Karl Koller confirm to a surprised Hitler that the Red Army is just 12 kilometres from the city centre. Later, at his birthday reception, Reichsführer-SS Heinrich Himmler (Ulrich Noethen) and his SS adjutant Hermann Fegelein (Thomas Kretschmann) plead with Hitler to allow himself to be evacuated from the city. Instead, Hitler declares, "I will defeat them in Berlin, or face my downfall." Himmler leaves Berlin with the intention of negotiating surrender terms with the Western Allies behind Hitler's back.
In another part of the city, a group of Hitler Youth members continue to build up defenses for the defense of Berlin. Peter, a boy in the group, is vainly urged by his father to desert and flee the city. Later, Peter's unit is part of a group which is awarded the Iron Cross by Hitler.
Sunday, August 28, 2011
Cool Hand Luke - 1967
Cool Hand Luke is a 1967 American prison drama film directed by Stuart Rosenberg and starring Paul Newman. The screenplay was adapted by Donn Pearce and Frank Pierson from Pearce's 1965 novel of the same name. The film features George Kennedy, Strother Martin, J.D. Cannon and Morgan Woodward.
Newman stars in the title role as Luke, a prisoner in a Florida prison camp who refuses to submit to the system. In 2005, the United States Library of Congress deemed Cool Hand Luke to be "culturally, historically, or aesthetically significant" and selected it for preservation in the National Film Registry.
Luke Jackson (Paul Newman) is arrested for cutting the heads off a town's parking meters one drunken night in the late 1940s. He is sentenced to two years in prison and sent to a Florida prison camp, run by the heartless Captain (Strother Martin). Luke is revealed to be a decorated World War II veteran, and is initially known to the other prisoners as "Lucas War-Hero." Luke fails to observe the established pecking order among the prisoners and quickly runs afoul of the prisoners' de facto leader, Dragline (George Kennedy). The pair spar, with the prisoners and guards watching, and although Luke is severely outmatched by the larger Dragline, he repeatedly refuses to stay down and eventually Dragline refuses to fight further. Luke suffers a beating but wins the respect of Dragline and the rest of the prison population. Later, Luke wins a poker game on a bluff with a worthless hand; Luke comments that "sometimes nothing can be a real cool hand," and Dragline gives him the nickname "Cool Hand Luke."
Newman stars in the title role as Luke, a prisoner in a Florida prison camp who refuses to submit to the system. In 2005, the United States Library of Congress deemed Cool Hand Luke to be "culturally, historically, or aesthetically significant" and selected it for preservation in the National Film Registry.
Luke Jackson (Paul Newman) is arrested for cutting the heads off a town's parking meters one drunken night in the late 1940s. He is sentenced to two years in prison and sent to a Florida prison camp, run by the heartless Captain (Strother Martin). Luke is revealed to be a decorated World War II veteran, and is initially known to the other prisoners as "Lucas War-Hero." Luke fails to observe the established pecking order among the prisoners and quickly runs afoul of the prisoners' de facto leader, Dragline (George Kennedy). The pair spar, with the prisoners and guards watching, and although Luke is severely outmatched by the larger Dragline, he repeatedly refuses to stay down and eventually Dragline refuses to fight further. Luke suffers a beating but wins the respect of Dragline and the rest of the prison population. Later, Luke wins a poker game on a bluff with a worthless hand; Luke comments that "sometimes nothing can be a real cool hand," and Dragline gives him the nickname "Cool Hand Luke."
La Femme Nikita - 1990
Before there was Lisbeth Salenger (a la the Stieg Larsson books) there was Nikita. She had all the fire that Lisbeth had. When I read the Stieg Larsson books this is who I imagined. See the French version (NIKITA) in English subtitles. You won't be disappointed. A thrill ride of a film.
Nikita (1990) is a French thriller film written and directed by Luc Besson; it was released in the US as La Femme Nikita. The film is about a young criminal who is recruited to work for French intelligence. Two television shows were later based on the film.
Nikita (Anne Parillaud) is a teenage junkie who participates in the robbery of a pharmacy owned by the parents of a fellow junkie. The robbery goes awry, erupting into a gunfight with local police, during which her cohorts are killed. Suffering severe withdrawal symptoms, she murders a policeman. Nikita is arrested, tried, and convicted of murder and is sentenced to death by lethal injection.
In prison, she is executed, but awakens in a nondescript room. A well-dressed but hard-looking Bob (Tchéky Karyo) enters and reveals that, although officially dead and buried after execution, she is in the custody of the Directorate-General for External Security (DGSE), the French intelligence agency. She is given a choice of becoming an assassin or actually occupying "row 7, plot 30"[4] (her fake grave). After some resistance, she chooses the former and proves to be a talented killer. One of her trainers, Amande (Jeanne Moreau), transforms her from a degenerate drug addict to a femme fatale; Amande was also rescued and trained by the DGSE.
Her initial mission, killing a diplomat in a crowded restaurant and escaping back to the Centre, is the film's highlight; she graduates and begins life as a sleeper agent in Paris with her boyfriend Marco (Jean-Hugues Anglade), a man she meets in a supermarket and who knows nothing of her real profession.
Her career as an assassin goes well until a document-theft in an embassy goes awry, requiring the ruthless Victor "The Cleaner" (Jean Reno) to destroy the mission's evidence and all corpses. Victor is wounded and dies; and Marco eventually discovers Nikita's secret life. Upon discovering that she abandoned the service, Bob meets with Marco, and they both discuss and decide what is best for Nikita.
Nikita (1990) is a French thriller film written and directed by Luc Besson; it was released in the US as La Femme Nikita. The film is about a young criminal who is recruited to work for French intelligence. Two television shows were later based on the film.
Nikita (Anne Parillaud) is a teenage junkie who participates in the robbery of a pharmacy owned by the parents of a fellow junkie. The robbery goes awry, erupting into a gunfight with local police, during which her cohorts are killed. Suffering severe withdrawal symptoms, she murders a policeman. Nikita is arrested, tried, and convicted of murder and is sentenced to death by lethal injection.
In prison, she is executed, but awakens in a nondescript room. A well-dressed but hard-looking Bob (Tchéky Karyo) enters and reveals that, although officially dead and buried after execution, she is in the custody of the Directorate-General for External Security (DGSE), the French intelligence agency. She is given a choice of becoming an assassin or actually occupying "row 7, plot 30"[4] (her fake grave). After some resistance, she chooses the former and proves to be a talented killer. One of her trainers, Amande (Jeanne Moreau), transforms her from a degenerate drug addict to a femme fatale; Amande was also rescued and trained by the DGSE.
Her initial mission, killing a diplomat in a crowded restaurant and escaping back to the Centre, is the film's highlight; she graduates and begins life as a sleeper agent in Paris with her boyfriend Marco (Jean-Hugues Anglade), a man she meets in a supermarket and who knows nothing of her real profession.
Her career as an assassin goes well until a document-theft in an embassy goes awry, requiring the ruthless Victor "The Cleaner" (Jean Reno) to destroy the mission's evidence and all corpses. Victor is wounded and dies; and Marco eventually discovers Nikita's secret life. Upon discovering that she abandoned the service, Bob meets with Marco, and they both discuss and decide what is best for Nikita.
Croupier - 1998
Croupier is a 1998 film starring Clive Owen as a croupier. Directed by Mike Hodges, the film was released by Image Entertainment on DVD in the USA, and Alliance Atlantis in Canada. Though intended as a feature film, it was shown on television in North America. It was also initially released in cinemas and drew a steady audience at the box office, attracting a strong critical following in North America, and helping to launch Clive Owen's acting career there. Croupier was disqualified from the Academy Awards after it was shown on Dutch television.
The film has been classified as neo-noir. It uses interior monologues in the style of many early noir detective films.
Jack Manfred (Owen) is an aspiring writer going nowhere fast. To make ends meet and against his better judgment, he takes a job as a croupier. He finds himself drawn into the casino world and the job gradually takes over his life; his relationship with girlfriend Marion begins to deteriorate. One gambler in particular catches his attention: Jani, whom he starts to see outside working hours—a serious violation of casino rules. Jani (Alex Kingston) is down on her luck; under pressure from her creditors she approaches Jack, asking him to be the inside man for a planned heist at the casino. Jack carefully considers the odds; it all looks so simple but even a professional like Jack cannot predict the cards which he will be dealt.
The film has been classified as neo-noir. It uses interior monologues in the style of many early noir detective films.
Jack Manfred (Owen) is an aspiring writer going nowhere fast. To make ends meet and against his better judgment, he takes a job as a croupier. He finds himself drawn into the casino world and the job gradually takes over his life; his relationship with girlfriend Marion begins to deteriorate. One gambler in particular catches his attention: Jani, whom he starts to see outside working hours—a serious violation of casino rules. Jani (Alex Kingston) is down on her luck; under pressure from her creditors she approaches Jack, asking him to be the inside man for a planned heist at the casino. Jack carefully considers the odds; it all looks so simple but even a professional like Jack cannot predict the cards which he will be dealt.
Saturday, August 27, 2011
Summer Of 42 - 1971
Summer of '42 is a 1971 American coming of age drama film based on the memoirs of screenwriter Herman Raucher. It tells the story of how Raucher, in his early teens on his 1942 summer vacation on Nantucket Island, off the coast of New England, embarked on a one-sided romance with a woman, Dorothy, whose husband had gone off to fight in World War II.
The film was directed by Robert Mulligan, and starred Gary Grimes as Hermie, Jerry Houser as his best friend Oscy, Oliver Conant as their nerdy young friend Benjie, Jennifer O'Neill as Hermie's mysterious love interest, and Katherine Allentuck and Christopher Norris as a pair of girls whom Hermie and Oscy attempt to seduce. Mulligan also has an uncredited role as the voice of the adult Hermie. Maureen Stapleton (Allentuck's real life mother) also appears in a small, uncredited voice role (calling after Hermie as he leaves the house in an early scene, and after he enters his room in a later scene).
Raucher's novelization of his screenplay was released prior to the film's release and became a runaway bestseller, to the point that audiences lost sight of the fact that the book was based on the film and not vice-versa. Though a pop culture phenomenon in the first half of the 1970s, the novelization went out of print and slipped into obscurity throughout the next two decades until a Broadway adaptation in 2001 brought it back into the public light and prompted Barnes & Noble to acquire the publishing rights to the book.
The film was directed by Robert Mulligan, and starred Gary Grimes as Hermie, Jerry Houser as his best friend Oscy, Oliver Conant as their nerdy young friend Benjie, Jennifer O'Neill as Hermie's mysterious love interest, and Katherine Allentuck and Christopher Norris as a pair of girls whom Hermie and Oscy attempt to seduce. Mulligan also has an uncredited role as the voice of the adult Hermie. Maureen Stapleton (Allentuck's real life mother) also appears in a small, uncredited voice role (calling after Hermie as he leaves the house in an early scene, and after he enters his room in a later scene).
Raucher's novelization of his screenplay was released prior to the film's release and became a runaway bestseller, to the point that audiences lost sight of the fact that the book was based on the film and not vice-versa. Though a pop culture phenomenon in the first half of the 1970s, the novelization went out of print and slipped into obscurity throughout the next two decades until a Broadway adaptation in 2001 brought it back into the public light and prompted Barnes & Noble to acquire the publishing rights to the book.
Friday, August 26, 2011
Thelma and Louise - 1991
Thelma & Louise is a 1991 film co-produced and directed by Ridley Scott and written by Callie Khouri, the film's plot revolves around Thelma and Louise's escape from their troubled and caged lives. It stars Geena Davis as Thelma and Susan Sarandon as Louise, and co-stars Harvey Keitel as a sympathetic detective trying to trace them as they go on the run after killing a rapist. Michael Madsen plays the role of Louise's boyfriend. Brad Pitt (in his first significant film role) plays a robber out on parole.
Thelma & Louise became an instant critical and commercial success, receiving six Academy Award nominations and winning one for Best Original Screenplay (Khouri). Both Sarandon and Davis were nominated for their roles in the same category, Academy Award for Best Actress. However, the two lost the award to Jodie Foster for her role in The Silence of the Lambs.
Thelma Dickinson (Geena Davis) is a passive, goofy housewife, married to a controlling husband, Darryl (Christopher McDonald). Louise Sawyer (Susan Sarandon) is a single waitress who appears strong, organized and stern, with some unspecified trauma in her past. They head out in Louise's teal 1966 Thunderbird convertible for a two-day vacation of fishing in the mountains that quickly turns into a nightmarish situation before they even reach their destination, but which sees them change from victims of circumstance into outlaw heroines of the road.
Thelma & Louise became an instant critical and commercial success, receiving six Academy Award nominations and winning one for Best Original Screenplay (Khouri). Both Sarandon and Davis were nominated for their roles in the same category, Academy Award for Best Actress. However, the two lost the award to Jodie Foster for her role in The Silence of the Lambs.
Thelma Dickinson (Geena Davis) is a passive, goofy housewife, married to a controlling husband, Darryl (Christopher McDonald). Louise Sawyer (Susan Sarandon) is a single waitress who appears strong, organized and stern, with some unspecified trauma in her past. They head out in Louise's teal 1966 Thunderbird convertible for a two-day vacation of fishing in the mountains that quickly turns into a nightmarish situation before they even reach their destination, but which sees them change from victims of circumstance into outlaw heroines of the road.
Thursday, August 25, 2011
The Perfect Storm - 2000
The Perfect Storm is a 2000 dramatic disaster film directed by Wolfgang Petersen. It is an adaptation of the 1997 non-fiction book of the same title by Sebastian Junger about the crew of the Andrea Gail that got caught in the Perfect Storm of 1991. The film stars George Clooney, Mark Wahlberg, William Fichtner, John C. Reilly, Allen Payne, John Hawkes, Diane Lane, Michael Ironside, Karen Allen and Mary Elizabeth Mastrantonio. The film was released on June 30, 2000 by Warner Bros. Pictures.
In October 1991, the swordfishing boat Andrea Gail returns to port in Gloucester, Massachusetts with a poor catch. Desperate for money, Captain Billy Tyne (Clooney), convinces the Andrea Gail crew to join him for one more late season fishing expedition. They head out past their usual fishing grounds, leaving a developing thunderstorm behind them. Initially unsuccessful, they head to the Flemish Cap, where their luck improves. At the height of their fishing the ice machine breaks; the only way to sell their catch before it spoils is to hurry back to shore. After debating whether to sail through the building storm or to wait it out, the crew decide to risk the storm. However, between the Andrea Gail and Gloucester is a confluence of two powerful weather fronts and a hurricane, which the Andrea Gail crew underestimate.
The film is based on Junger's non-fiction book of the same title. The book itself has sometimes been accused of factual errors (e.g., misspelling of a person's name), one-sided research (e.g., initially not interviewing the skipper and owner of the yacht Satori) and bias against the fishing industry (e.g., role of drinking among fishermen); the author and, according to him, also fishermen have defended the book. The film leaves out many of the book's technical details, like the prominent role of the Canadian Coast Guard, as well as contested parts about the stability (resistance to capsizing) of the Andrea Gail.
The film only claims to be "based on a true story." It differs in many ways from the book, starting with the fictionalization of the material into a "story." The film also continues to narrate the story of the Andrea Gail after its last radio contact. As the boat and the bodies of the crew were never found, these final events (e.g., the decision to change course, the 360° knockover, etc.) are obviously entirely speculation.
In October 1991, the swordfishing boat Andrea Gail returns to port in Gloucester, Massachusetts with a poor catch. Desperate for money, Captain Billy Tyne (Clooney), convinces the Andrea Gail crew to join him for one more late season fishing expedition. They head out past their usual fishing grounds, leaving a developing thunderstorm behind them. Initially unsuccessful, they head to the Flemish Cap, where their luck improves. At the height of their fishing the ice machine breaks; the only way to sell their catch before it spoils is to hurry back to shore. After debating whether to sail through the building storm or to wait it out, the crew decide to risk the storm. However, between the Andrea Gail and Gloucester is a confluence of two powerful weather fronts and a hurricane, which the Andrea Gail crew underestimate.
The film is based on Junger's non-fiction book of the same title. The book itself has sometimes been accused of factual errors (e.g., misspelling of a person's name), one-sided research (e.g., initially not interviewing the skipper and owner of the yacht Satori) and bias against the fishing industry (e.g., role of drinking among fishermen); the author and, according to him, also fishermen have defended the book. The film leaves out many of the book's technical details, like the prominent role of the Canadian Coast Guard, as well as contested parts about the stability (resistance to capsizing) of the Andrea Gail.
The film only claims to be "based on a true story." It differs in many ways from the book, starting with the fictionalization of the material into a "story." The film also continues to narrate the story of the Andrea Gail after its last radio contact. As the boat and the bodies of the crew were never found, these final events (e.g., the decision to change course, the 360° knockover, etc.) are obviously entirely speculation.
Wednesday, August 24, 2011
The Shawshank Redemption - 1994
The Shawshank Redemption is a 1994 American drama film written and directed by Frank Darabont starring Tim Robbins and Morgan Freeman.
Adapted from the Stephen King novella Rita Hayworth and Shawshank Redemption, the film portrays the story of Andy Dufresne, a banker who spends nearly two decades in Shawshank State Prison for the murder of his wife and her lover despite his claims of being innocent. During his time at the prison, he befriends a fellow inmate, Ellis "Red" Redding, and finds himself protected by the guards after the warden begins using him in his money laundering operation.
Despite a lukewarm box office reception that was barely enough to cover its budget, the film received favorable reviews from critics, multiple award nominations, and has since enjoyed a remarkable life on cable television, VHS, DVD, and Blu-ray. It was included in the American Film Institute's 100 Years: 100 Movies 10th Anniversary Edition.
Adapted from the Stephen King novella Rita Hayworth and Shawshank Redemption, the film portrays the story of Andy Dufresne, a banker who spends nearly two decades in Shawshank State Prison for the murder of his wife and her lover despite his claims of being innocent. During his time at the prison, he befriends a fellow inmate, Ellis "Red" Redding, and finds himself protected by the guards after the warden begins using him in his money laundering operation.
Despite a lukewarm box office reception that was barely enough to cover its budget, the film received favorable reviews from critics, multiple award nominations, and has since enjoyed a remarkable life on cable television, VHS, DVD, and Blu-ray. It was included in the American Film Institute's 100 Years: 100 Movies 10th Anniversary Edition.
Monday, August 22, 2011
28 Days Later - 2002
I was quite fixated by this scary 'what if' film. It's so suspenseful and has such super special-effects!
28 Days Later is a 2002 British horror film directed by Danny Boyle. The screenplay was written by Alex Garland, and the film stars Cillian Murphy, Naomie Harris, Brendan Gleeson, Megan Burns, and Christopher Eccleston. The plot depicts the breakdown of society following the accidental release of a highly contagious "rage" virus and focuses upon the struggle of four survivors to cope with the ruination of the life they once knew.
A critical and commercial success, the film is widely recognised for images of a deserted London, and was shot almost entirely on digital video. The film spawned a 2007 sequel, 28 Weeks Later, a graphic novel entitled 28 Days Later: The Aftermath, which expands on the timeline of the outbreak, and a 2009 comic book series 28 Days Later.
28 Days Later is a 2002 British horror film directed by Danny Boyle. The screenplay was written by Alex Garland, and the film stars Cillian Murphy, Naomie Harris, Brendan Gleeson, Megan Burns, and Christopher Eccleston. The plot depicts the breakdown of society following the accidental release of a highly contagious "rage" virus and focuses upon the struggle of four survivors to cope with the ruination of the life they once knew.
A critical and commercial success, the film is widely recognised for images of a deserted London, and was shot almost entirely on digital video. The film spawned a 2007 sequel, 28 Weeks Later, a graphic novel entitled 28 Days Later: The Aftermath, which expands on the timeline of the outbreak, and a 2009 comic book series 28 Days Later.
Sunday, August 21, 2011
Blade Runner - 1982
Blade Runner is a 1982 American science fiction film directed by Ridley Scott and starring Harrison Ford, Rutger Hauer, and Sean Young. The screenplay, written by Hampton Fancher and David Peoples, is loosely based on the novel "Do Androids Dream of Electric Sheep?" by Philip K. Dick.
The film depicts a dystopian Los Angeles in November 2019 in which genetically engineered organic robots called replicants—visually indistinguishable from adult humans—are manufactured by the powerful Tyrell Corporation as well as by other "mega–manufacturers" around the world. Their use on Earth is banned and replicants are exclusively used for dangerous, menial or leisure work on Earth's off-world colonies. Replicants who defy the ban and return to Earth are hunted down and "retired" by police special operatives known as "Blade Runners". The plot focuses on a brutal and cunning group of recently escaped replicants hiding in Los Angeles and the burnt out expert Blade Runner, Rick Deckard (Harrison Ford), who reluctantly agrees to take on one more assignment to hunt them down.
Blade Runner initially polarized critics: some were displeased with the pacing, while others enjoyed its thematic complexity. The film performed poorly in North American theaters but, despite the box office failure of the film, it has since become a cult classic and is now widely regarded as one of the best movies ever made. Blade Runner has been hailed for its production design, depicting a "retrofitted" future, and it remains a leading example of the neo-noir genre. Blade Runner brought the work of author Philip K. Dick to the attention of Hollywood and several later films were based on his work. Ridley Scott regards Blade Runner as "probably" his most complete and personal film. In 1993 Blade Runner was selected for preservation in the United States National Film Registry by the Library of Congress as being "culturally, historically, or aesthetically significant".
Seven versions of the film have been shown for various markets as a result of controversial changes made by film executives. A rushed Director's Cut was released in 1992 after a strong response to workprint screenings. This, in conjunction with its popularity as a video rental, made it one of the first films released on DVD, resulting in a basic disc with mediocre video and audio quality. In 2007 Warner Bros. released The Final Cut, a 25th anniversary digitally remastered version by Scott in selected theaters, and subsequently on DVD, HD DVD, and Blu-ray Disc.
Among the folklore that has developed around the film over the years has been the belief that the film was a curse to the companies whose logos were displayed prominently as product placements in some scenes. While they were market leaders at the time, more than half experienced disastrous setbacks during the next decade. Atari dominated the home video game market when the film came out, but was making losses by the 1990s. Cuisinart and Pan Am went bankrupt in 1989 and 1991 respectively. The Bell System monopoly was broken up in the year of the film's release. The Coca-Cola Company suffered losses during its failed introduction of New Coke in 1985, but soon afterwards regained its market share.
It was announced on August 18, 2011 that Ridley Scott was to be at the helm of a new Blade Runner movie, either a sequel or a prequel, with filming to begin no earlier than 2013 and a release for the following year. Indications from producer Andrew Kosove were that Harrison Ford was unlikely to be involved in the project.
The film depicts a dystopian Los Angeles in November 2019 in which genetically engineered organic robots called replicants—visually indistinguishable from adult humans—are manufactured by the powerful Tyrell Corporation as well as by other "mega–manufacturers" around the world. Their use on Earth is banned and replicants are exclusively used for dangerous, menial or leisure work on Earth's off-world colonies. Replicants who defy the ban and return to Earth are hunted down and "retired" by police special operatives known as "Blade Runners". The plot focuses on a brutal and cunning group of recently escaped replicants hiding in Los Angeles and the burnt out expert Blade Runner, Rick Deckard (Harrison Ford), who reluctantly agrees to take on one more assignment to hunt them down.
Blade Runner initially polarized critics: some were displeased with the pacing, while others enjoyed its thematic complexity. The film performed poorly in North American theaters but, despite the box office failure of the film, it has since become a cult classic and is now widely regarded as one of the best movies ever made. Blade Runner has been hailed for its production design, depicting a "retrofitted" future, and it remains a leading example of the neo-noir genre. Blade Runner brought the work of author Philip K. Dick to the attention of Hollywood and several later films were based on his work. Ridley Scott regards Blade Runner as "probably" his most complete and personal film. In 1993 Blade Runner was selected for preservation in the United States National Film Registry by the Library of Congress as being "culturally, historically, or aesthetically significant".
Seven versions of the film have been shown for various markets as a result of controversial changes made by film executives. A rushed Director's Cut was released in 1992 after a strong response to workprint screenings. This, in conjunction with its popularity as a video rental, made it one of the first films released on DVD, resulting in a basic disc with mediocre video and audio quality. In 2007 Warner Bros. released The Final Cut, a 25th anniversary digitally remastered version by Scott in selected theaters, and subsequently on DVD, HD DVD, and Blu-ray Disc.
Among the folklore that has developed around the film over the years has been the belief that the film was a curse to the companies whose logos were displayed prominently as product placements in some scenes. While they were market leaders at the time, more than half experienced disastrous setbacks during the next decade. Atari dominated the home video game market when the film came out, but was making losses by the 1990s. Cuisinart and Pan Am went bankrupt in 1989 and 1991 respectively. The Bell System monopoly was broken up in the year of the film's release. The Coca-Cola Company suffered losses during its failed introduction of New Coke in 1985, but soon afterwards regained its market share.
It was announced on August 18, 2011 that Ridley Scott was to be at the helm of a new Blade Runner movie, either a sequel or a prequel, with filming to begin no earlier than 2013 and a release for the following year. Indications from producer Andrew Kosove were that Harrison Ford was unlikely to be involved in the project.
Saturday, August 20, 2011
The Year of Living Dangerously - 1982
I so loved how Linda Hunt narrated this film. Her Academy Award Oscar was so worthy. This is a timely film for what is going on today with journalists globally. Mel Gibson and Sigourney Weaver give fabulous performances as well. I loved how Linda Hunt kept a file on the people that crossed her path...fascinating.
The Year of Living Dangerously is a 1982 Peter Weir film adapted from the novel The Year of Living Dangerously by the author Christopher Koch. The story is about a love affair set in Indonesia during the overthrow of President Sukarno. It follows a group of foreign correspondents in Jakarta on the eve of an attempted coup by the so-called 30 September Movement in 1965.
The film stars Mel Gibson as Guy Hamilton, an Australian journalist, and Sigourney Weaver as Jill Bryant, a British Embassy officer. It also stars Linda Hunt as the male dwarf Billy Kwan, Gibson's local photographer contact, a role for which Hunt won an Academy Award for Best Supporting Actress.[1] The film was shot in both Australia and the Philippines and includes Australian actors Bill Kerr as Colonel Henderson and Noel Ferrier as Wally O'Sullivan.
It was banned from being shown in Indonesia until 1999. The title The Year of Living Dangerously is a quote which refers to a famous Italian phrase used by Sukarno; vivere pericolosamente, meaning "living dangerously". Sukarno borrowed the line for the title of his Indonesian Independence Day speech of 1964.
The Year of Living Dangerously is a 1982 Peter Weir film adapted from the novel The Year of Living Dangerously by the author Christopher Koch. The story is about a love affair set in Indonesia during the overthrow of President Sukarno. It follows a group of foreign correspondents in Jakarta on the eve of an attempted coup by the so-called 30 September Movement in 1965.
The film stars Mel Gibson as Guy Hamilton, an Australian journalist, and Sigourney Weaver as Jill Bryant, a British Embassy officer. It also stars Linda Hunt as the male dwarf Billy Kwan, Gibson's local photographer contact, a role for which Hunt won an Academy Award for Best Supporting Actress.[1] The film was shot in both Australia and the Philippines and includes Australian actors Bill Kerr as Colonel Henderson and Noel Ferrier as Wally O'Sullivan.
It was banned from being shown in Indonesia until 1999. The title The Year of Living Dangerously is a quote which refers to a famous Italian phrase used by Sukarno; vivere pericolosamente, meaning "living dangerously". Sukarno borrowed the line for the title of his Indonesian Independence Day speech of 1964.
Match Point - 2005
Match Point is a 2005 dramatic thriller film written and directed by Woody Allen, and starring Jonathan Rhys Meyers, Scarlett Johansson, Emily Mortimer, Matthew Goode, Brian Cox and Penelope Wilton. The film received critical acclaim, and was nominated for an Academy Award for Best Original Screenplay.
When former tennis pro Chris Wilton begins a relationship with shy heiress Chloe Hewett after befriending her brother Tom, he finds his social and financial status vastly improved. However, once he has an affair with Tom’s ex-lover, American actress Nola Rice, he realises that his new, luxurious lifestyle may be threatened. Intensely dramatic!
When former tennis pro Chris Wilton begins a relationship with shy heiress Chloe Hewett after befriending her brother Tom, he finds his social and financial status vastly improved. However, once he has an affair with Tom’s ex-lover, American actress Nola Rice, he realises that his new, luxurious lifestyle may be threatened. Intensely dramatic!
Thursday, August 18, 2011
8 Femmes - (French 2002)
What a FUN film mixed with drama, comedy and music. I loved the music so much that I bought the soundtrack. If you don't mind French with English subtitles...you'll LOVE this one. The BEST part is the mostly women cast of the BEST ACTRESSES 'ever' from France. It's an awesome one to watch over the Christmas holidays, too.
8 Women (French: 8 Femmes) is a 2002 French musical comedy murder-mystery film, directed by François Ozon and based on the play by Robert Thomas. The film was known as 8 femmes to distinguish it from the 1972 play entitled Huit femmes.
The film is set in the 1950s in a large country residence, as a family and its servants are preparing for Christmas, when the master of the house is discovered dead in his bed, with a dagger stuck into his back. The murderer must be one of the eight women in the house at the time, and in the course of the investigations each has a tale to tell and secrets to hide.
The scene opens with Suzon returning from school for Christmas break, finding her mother Gaby, her younger sister Catherine, and her wheelchair-bound grandmother Mamy in the living room, where most of the action of the film takes place. Their conversation drifts to the subject of the patriarch of the family, and Catherine leads the first song of the film, "Papa t'es plus dans le coup" (roughly, "Dad, you're out of touch"). The singing wakes up Suzon and Catherine's aunt Augustine, who picks arguments with the rest of the family and the two servants (Madame Chanel and Louise), eventually returning upstairs, threatening to commit suicide. Mamy jumps out of her wheelchair, trying to stop her, haphazardly explaining her ability to walk as a "Christmas miracle." Augustine is eventually calmed down, and she sings her song of longing, "Message personnel" (Personal Message).
8 Women (French: 8 Femmes) is a 2002 French musical comedy murder-mystery film, directed by François Ozon and based on the play by Robert Thomas. The film was known as 8 femmes to distinguish it from the 1972 play entitled Huit femmes.
The film is set in the 1950s in a large country residence, as a family and its servants are preparing for Christmas, when the master of the house is discovered dead in his bed, with a dagger stuck into his back. The murderer must be one of the eight women in the house at the time, and in the course of the investigations each has a tale to tell and secrets to hide.
The scene opens with Suzon returning from school for Christmas break, finding her mother Gaby, her younger sister Catherine, and her wheelchair-bound grandmother Mamy in the living room, where most of the action of the film takes place. Their conversation drifts to the subject of the patriarch of the family, and Catherine leads the first song of the film, "Papa t'es plus dans le coup" (roughly, "Dad, you're out of touch"). The singing wakes up Suzon and Catherine's aunt Augustine, who picks arguments with the rest of the family and the two servants (Madame Chanel and Louise), eventually returning upstairs, threatening to commit suicide. Mamy jumps out of her wheelchair, trying to stop her, haphazardly explaining her ability to walk as a "Christmas miracle." Augustine is eventually calmed down, and she sings her song of longing, "Message personnel" (Personal Message).
Nowhere In Africa - 2001
If you missed this one in 2001 it's a "must-see". It's a 2001 German film directed by Caroline Link and based on the autobiographical novel of the same name by Stefanie Zweig. It tells the story of a Jewish family that emigrates to Kenya during World War II to escape the Nazis and run a farm. The film won an Academy Award for Best Foreign Language Film.
The film was very well received by many international critics. Michael Wilmington of the Chicago Tribune called Nowhere in Africa "stunning". Keneth Turan of the Los Angeles Times hailed the film as being "laced with poigancy and conflict, urgency and compassion." "I loved this film!" raved Roger Ebert; "...this is the kind of movie that real people really, really like!"
The film was very well received by many international critics. Michael Wilmington of the Chicago Tribune called Nowhere in Africa "stunning". Keneth Turan of the Los Angeles Times hailed the film as being "laced with poigancy and conflict, urgency and compassion." "I loved this film!" raved Roger Ebert; "...this is the kind of movie that real people really, really like!"
Wednesday, August 17, 2011
Walkabout - 1971
This is a great film about survival. I remember watching it as a kid and I was amazed. I never wanted to fine myself alone in the desert. Walkabout is a 1971 film set in Australia, directed by Nicolas Roeg and starring Jenny Agutter, Luc Roeg (credited as Lucien John) and David Gulpilil. Edward Bond wrote the screenplay, which is loosely based on the novel Walkabout by James Vance Marshall. Walkabout premiered in competition at the 1971 Cannes Film Festival.
A schoolgirl (Jenny Agutter) and her much younger brother (Luc Roeg) walk home across the urban landscape of Sydney, Australia. Their father, a geologist, drives them far into the outback, where they stop for a picnic. Suddenly, without warning, he begins shooting at them. When they run behind rocks for cover, he sets the car on fire and kills himself. The girl conceals what has happened from her brother. After she has salvaged what she can, the pair head out into the desert.
By dawn the next day, they are weak from exposure, and the boy can barely walk. Discovering a small pool with a fruiting tree, they spend the day playing, bathing, and resting. Next morning, the pool has dried up. A young Aboriginal boy (David Gulpilil) appears. Though the girl cannot communicate with him, her brother mimes their need for water, and the newcomer cheerfully shows them how to draw it from the drying bed of the oasis.
The three travel together for several days, with the Aborigine sharing food he has caught hunting. The boys learn to communicate, using words and mime. The Aboriginal boy and the girl notice each other's bodies, and at one point, while he is hunting, she swims naked in a deep pool.
A schoolgirl (Jenny Agutter) and her much younger brother (Luc Roeg) walk home across the urban landscape of Sydney, Australia. Their father, a geologist, drives them far into the outback, where they stop for a picnic. Suddenly, without warning, he begins shooting at them. When they run behind rocks for cover, he sets the car on fire and kills himself. The girl conceals what has happened from her brother. After she has salvaged what she can, the pair head out into the desert.
By dawn the next day, they are weak from exposure, and the boy can barely walk. Discovering a small pool with a fruiting tree, they spend the day playing, bathing, and resting. Next morning, the pool has dried up. A young Aboriginal boy (David Gulpilil) appears. Though the girl cannot communicate with him, her brother mimes their need for water, and the newcomer cheerfully shows them how to draw it from the drying bed of the oasis.
The three travel together for several days, with the Aborigine sharing food he has caught hunting. The boys learn to communicate, using words and mime. The Aboriginal boy and the girl notice each other's bodies, and at one point, while he is hunting, she swims naked in a deep pool.
Sunday, August 14, 2011
Music of the Heart - 1999
Inspired by the true story of the Opus 118 Harlem School of Music and 'Small Wonders', a 1996 documentary about the school, the film opens with violinist Roberta having been deserted by her US Navy husband and feeling devastated, almost suicidal. Encouraged by her mother, she attempts to rebuild her life and a friend from student days recommends her to the head teacher of a school in the tough New York area of East Harlem. Despite a degree in music education, she has little experience in actual music teaching, but she's taken on as a substitute violin teacher. With a combination of toughness and determination, she inspires a group of kids, and their initially skeptical parents. The program slowly develops and attracts publicity.
Music of the Heart is a 1999 dramatic film. This film was produced by Craven-Maddalena Films and Miramax Films, and distributed by Buena Vista Distribution.
The film stars Meryl Streep, Aidan Quinn, Gloria Estefan, and Angela Bassett. It was director Wes Craven's only foray outside of the horror/thriller genre aside from his contribution to the multifaceted and directorially diverse Paris, je t'aime. It was also his only film to get nominated at the Academy Awards. Wes Craven is known for directing the horror films A Nightmare on Elm Street, The Hills Have Eyes and the Scream series.
Music of the Heart is a 1999 dramatic film. This film was produced by Craven-Maddalena Films and Miramax Films, and distributed by Buena Vista Distribution.
The film stars Meryl Streep, Aidan Quinn, Gloria Estefan, and Angela Bassett. It was director Wes Craven's only foray outside of the horror/thriller genre aside from his contribution to the multifaceted and directorially diverse Paris, je t'aime. It was also his only film to get nominated at the Academy Awards. Wes Craven is known for directing the horror films A Nightmare on Elm Street, The Hills Have Eyes and the Scream series.
L.A. Confidential - 1997
L.A. Confidential is a 1997 American film based on James Ellroy's 1990 novel of the same title, the third book in his L.A. Quartet. Both the book and the film tell the story of a group of LAPD officers in the 1950s, and the intersection of police corruption and Hollywood celebrity. The film adaptation was produced and directed by Curtis Hanson and co-written by Hanson and Brian Helgeland.
At the time, Australian actors Guy Pearce and Russell Crowe were relatively unknown in North America, and one of the film's backers, Peter Dennett, was worried about the lack of established stars in the lead roles. However, he supported Hanson's casting decisions and this gave the director the confidence to approach Kevin Spacey, Kim Basinger, and Danny DeVito.
Critically acclaimed, the film holds a 99% rating at Rotten Tomatoes with 82 out of 83 reviews positive and average rating of 8.6 out of 10, as well as an aggregated rating of 90% based on 28 reviews on Metacritic. It was nominated for nine Academy Awards and won two, Basinger for Best Actress in a Supporting Role and Hanson and Helgeland for Best Screenplay - Adapted.
At the time, Australian actors Guy Pearce and Russell Crowe were relatively unknown in North America, and one of the film's backers, Peter Dennett, was worried about the lack of established stars in the lead roles. However, he supported Hanson's casting decisions and this gave the director the confidence to approach Kevin Spacey, Kim Basinger, and Danny DeVito.
Critically acclaimed, the film holds a 99% rating at Rotten Tomatoes with 82 out of 83 reviews positive and average rating of 8.6 out of 10, as well as an aggregated rating of 90% based on 28 reviews on Metacritic. It was nominated for nine Academy Awards and won two, Basinger for Best Actress in a Supporting Role and Hanson and Helgeland for Best Screenplay - Adapted.
Raiders of the Lost Ark - 1981
Raiders of the Lost Ark (also known as Indiana Jones and the Raiders of the Lost Ark) is a 1981 American action-adventure film directed by Steven Spielberg, produced by George Lucas, and starring Harrison Ford. It is the first (chronologically the second) film in the Indiana Jones franchise. It pits Indiana Jones (Ford) against the Nazis, who search for the Ark of the Covenant, because Adolf Hitler believes it will make their army invincible. The film co-starred Karen Allen as Indiana's former lover, Marion Ravenwood; Paul Freeman as Indiana's nemesis, French archaeologist René Belloq; John Rhys-Davies as Indiana's sidekick, Sallah; and Denholm Elliott as Indiana's colleague, Marcus Brody.
The film originated with Lucas' desire to create a modern version of the serials of the 1930s and 1940s. Production was based at Elstree Studios, England; but filming also took place in La Rochelle, Tunisia, Hawaii, and California from June to September 1980.
Released on June 12, 1981, Raiders of the Lost Ark became the top-grossing film of 1981; it remains one of the highest-grossing films ever made. It was nominated for eight Academy Awards in 1982, including Best Picture, and won four (Best Art Direction, Best Film Editing, Best Sound, Best Visual Effects) as well as winning a fifth Special Achievement Academy Award in Sound Effects Editing. The film's critical and popular success led to three additional films, Indiana Jones and the Temple of Doom (1984), Indiana Jones and the Last Crusade (1989), and Indiana Jones and the Kingdom of the Crystal Skull (2008), a television series, The Young Indiana Jones Chronicles (1992–1996), and 15 video games as of 2009. In 1999, the film was included in the United States Library of Congress' National Film Registry as having been deemed "culturally, historically, or aesthetically significant."
The film originated with Lucas' desire to create a modern version of the serials of the 1930s and 1940s. Production was based at Elstree Studios, England; but filming also took place in La Rochelle, Tunisia, Hawaii, and California from June to September 1980.
Released on June 12, 1981, Raiders of the Lost Ark became the top-grossing film of 1981; it remains one of the highest-grossing films ever made. It was nominated for eight Academy Awards in 1982, including Best Picture, and won four (Best Art Direction, Best Film Editing, Best Sound, Best Visual Effects) as well as winning a fifth Special Achievement Academy Award in Sound Effects Editing. The film's critical and popular success led to three additional films, Indiana Jones and the Temple of Doom (1984), Indiana Jones and the Last Crusade (1989), and Indiana Jones and the Kingdom of the Crystal Skull (2008), a television series, The Young Indiana Jones Chronicles (1992–1996), and 15 video games as of 2009. In 1999, the film was included in the United States Library of Congress' National Film Registry as having been deemed "culturally, historically, or aesthetically significant."
Saturday, August 13, 2011
The Grifters - 1990
The Grifters is a 1990 neo-noir film directed by Stephen Frears and produced by Martin Scorsese. It stars John Cusack, Anjelica Huston and Annette Bening and is based upon The Grifters, a pulp novel by Jim Thompson.
Lilly Dillon is a veteran con artist who begins to rethink her life when her son Roy, a small-time grifter, suffers an almost-fatal injury when hit with a thrust from the blunt end of a baseball bat, right after a failed scam.
Lilly works for a bookmaker, Bobo Justus, handling playback at the tracks — that is, betting money to lower the odds of longshots. On her way to La Jolla for the horse races, she stops in Los Angeles to visit Roy, whom she hasn't seen in eight years. She finds him in pain and bleeding internally. When medical assistance finally comes, Lilly confronts the doctor, threatening to have him killed if her son dies.
At the hospital, Lilly meets and takes an instant dislike to Roy's girlfriend, Myra Langtry, who is a few years older than her son. Lilly urges her son to quit the grift, saying he literally doesn't have the stomach for it. Because she leaves late for La Jolla, she misses a race where the winner was paying 70-1. For this mistake, Bobo burns her hand with a cigar.
Myra plays all the angles. She uses her body to persuade her landlord to overlook the rent. She makes a similar offer to a jeweler to get what she wants for a gem she is trying to pawn.
Upon leaving the hospital, Roy takes Myra to La Jolla for the weekend. On the train, she notices him conning a group of sailors in a rigged dice game. Myra reveals to Roy that she is also a grifter and is looking for a new partner for a long-con operation.
The project originated with Martin Scorsese who subsequently brought in Stephen Frears to direct while he produced. Frears had just finished making Dangerous Liaisons and was looking for another project when Scorsese approached him. The British filmmaker was drawn to Thompson's "tough and very stylistic" writing and described it, "as if pulp fiction meets Greek tragedy". Scorsese looked for a screenwriter, and filmmaker Volker Schlöndorff recommended Donald Westlake.
Frears contacted Westlake who agreed to re-read the Thompson novel but, after doing so, turned the project down, citing the story as "too gloomy." Frears then phoned Westlake and convinced him that he saw the story as a positive one, if considered as a story of Lily's drive to survive. Westlake changed his mind and agreed to write the adaptation. Frears was unsuccessful, however, at convincing Westlake to write the script under his pseudonym "Richard Stark," a name he had used to write 20 noir-influenced crime novels from 1962 through 1974. (Stark's name appears in the film, though, on a sign reading "Stark, Coe and Fellows"; Westlake explains in the film's commentary track that he has written novels as Richard Stark, Tucker Coe and "some other fellows.")
Lilly Dillon is a veteran con artist who begins to rethink her life when her son Roy, a small-time grifter, suffers an almost-fatal injury when hit with a thrust from the blunt end of a baseball bat, right after a failed scam.
Lilly works for a bookmaker, Bobo Justus, handling playback at the tracks — that is, betting money to lower the odds of longshots. On her way to La Jolla for the horse races, she stops in Los Angeles to visit Roy, whom she hasn't seen in eight years. She finds him in pain and bleeding internally. When medical assistance finally comes, Lilly confronts the doctor, threatening to have him killed if her son dies.
At the hospital, Lilly meets and takes an instant dislike to Roy's girlfriend, Myra Langtry, who is a few years older than her son. Lilly urges her son to quit the grift, saying he literally doesn't have the stomach for it. Because she leaves late for La Jolla, she misses a race where the winner was paying 70-1. For this mistake, Bobo burns her hand with a cigar.
Myra plays all the angles. She uses her body to persuade her landlord to overlook the rent. She makes a similar offer to a jeweler to get what she wants for a gem she is trying to pawn.
Upon leaving the hospital, Roy takes Myra to La Jolla for the weekend. On the train, she notices him conning a group of sailors in a rigged dice game. Myra reveals to Roy that she is also a grifter and is looking for a new partner for a long-con operation.
The project originated with Martin Scorsese who subsequently brought in Stephen Frears to direct while he produced. Frears had just finished making Dangerous Liaisons and was looking for another project when Scorsese approached him. The British filmmaker was drawn to Thompson's "tough and very stylistic" writing and described it, "as if pulp fiction meets Greek tragedy". Scorsese looked for a screenwriter, and filmmaker Volker Schlöndorff recommended Donald Westlake.
Frears contacted Westlake who agreed to re-read the Thompson novel but, after doing so, turned the project down, citing the story as "too gloomy." Frears then phoned Westlake and convinced him that he saw the story as a positive one, if considered as a story of Lily's drive to survive. Westlake changed his mind and agreed to write the adaptation. Frears was unsuccessful, however, at convincing Westlake to write the script under his pseudonym "Richard Stark," a name he had used to write 20 noir-influenced crime novels from 1962 through 1974. (Stark's name appears in the film, though, on a sign reading "Stark, Coe and Fellows"; Westlake explains in the film's commentary track that he has written novels as Richard Stark, Tucker Coe and "some other fellows.")
Thursday, August 11, 2011
Malena - 2000
This is a great flashback to 1941 ITALY story that I thought was so very uniquely told and photographed. I highly recommend it. Watching Monica Bellucci as "Malena" is worthy of your time (Italian elegance). The ending may not be the best--but keep in mind that it's a slice of what may be a longer, more in-depth story.
he film is set in Sicily in 1940 during World War II just as Italy enters the war. Malena's husband, Nino Scordia, who left to join the military is presumed dead. Malena tries to cope with her loss, as the town she has moved to tries to deal with this beautiful woman who gets the attention of all the local men, including the 12-year-old Renato. However, in spite of the gossip, she continues to be faithful to her husband. Renato becomes obsessed with Malena and starts fantasizing about her.
Renato continues to watch as she suffers from grief. Malena is shunned by the townspeople who begin to believe the worst about her, simply because of her beauty.
Film critic Roger Ebert compared the film to Federico Fellini's work, writing, "Fellini's films often involve adolescents inflamed by women who embody their carnal desires (e.g. Amarcord and 8½). But Fellini sees the humor that underlies sexual obsession, except (usually but not always) in the eyes of the participants. Malena is a simpler story, in which a young man grows up transfixed by a woman and essentially marries himself to the idea of her. It doesn't help that the movie's action grows steadily gloomier, leading to a public humiliation that seems wildly out of scale with what has gone before and to an ending that is intended to move us much more deeply, alas, than it can."
he film is set in Sicily in 1940 during World War II just as Italy enters the war. Malena's husband, Nino Scordia, who left to join the military is presumed dead. Malena tries to cope with her loss, as the town she has moved to tries to deal with this beautiful woman who gets the attention of all the local men, including the 12-year-old Renato. However, in spite of the gossip, she continues to be faithful to her husband. Renato becomes obsessed with Malena and starts fantasizing about her.
Renato continues to watch as she suffers from grief. Malena is shunned by the townspeople who begin to believe the worst about her, simply because of her beauty.
Film critic Roger Ebert compared the film to Federico Fellini's work, writing, "Fellini's films often involve adolescents inflamed by women who embody their carnal desires (e.g. Amarcord and 8½). But Fellini sees the humor that underlies sexual obsession, except (usually but not always) in the eyes of the participants. Malena is a simpler story, in which a young man grows up transfixed by a woman and essentially marries himself to the idea of her. It doesn't help that the movie's action grows steadily gloomier, leading to a public humiliation that seems wildly out of scale with what has gone before and to an ending that is intended to move us much more deeply, alas, than it can."
The Matrix (3-Film Franchise) - 1999, 2003
THE MATRIX (1999),
THE MATRIX RELOADED (2003),
THE MATRIX REVOLUTIONS (2003)
The Matrix is a science fiction action franchise created by Andy and Larry Wachowski and distributed by Warner Bros. Pictures. The series began with the 1999 film The Matrix and later spawned two sequels; The Matrix Reloaded and The Matrix Revolutions, both released in 2003, thus forming a trilogy. The characters and settings of the Matrix fictional universe are further explored in other media, including animation, comic books, and video games.
The series depicts a cyberpunk story incorporating numerous references to philosophical and religious ideas. Other influences include mythology, anime, and Hong Kong action films (particularly "heroic bloodshed" and martial arts movies). The fight choreographer for the trilogy was Yuen Woo-ping.
The term "Matrix" is used to describe what is today referred to as virtual reality in the seminal 1984 science fiction novel Neuromancer by William Gibson.
In the dystopia the series depicts, Earth is dominated by sentient machines, who have turned on humans and forced them into slavery. At one point, humans believed they could wipe out the machines by "scorching the sky," as they thought solar energy to be the life source of the machines. However, the machines devised a way to extract the bioelectricity and thermal energy from the human body by growing humans in pods connected by cybernetic implants to an artificial reality called the Matrix, which keeps their minds under control.
The Matrix makes numerous references to recent films and literature, and to historical myths and philosophy including Buddhism, Vedanta, Advaita Hinduism, Christianity, Messianism, Gnosticism, Existentialism, Nihilism. The film's premise resembles Plato's Allegory of the cave, René Descartes's evil demon, Kant's reflections on the Phenomenon versus the Ding an sich, Zhuangzi's "Zhuangzi dreamed he was a butterfly", Marx's social theory and the brain in a vat thought experiment. Many references to Jean Baudrillard's Simulacra and Simulation appear in the film, although Baudrillard himself considered this a misrepresentation. There are similarities to cyberpunk works such as Neuromancer by William Gibson.
Japanese director Mamoru Oshii's Ghost in the Shell was a strong influence. Producer Joel Silver has stated that the Wachowski brothers first described their intentions for The Matrix by showing him that anime and saying, "We wanna do that for real". Mitsuhisa Ishikawa of Production I.G, which produced Ghost in the Shell, noted that the anime's high-quality visuals were a strong source of inspiration for the Wachowski brothers. He also commented, "... cyberpunk films are very difficult to describe to a third person. I'd imagine that The Matrix is the kind of film that was very difficult to draw up a written proposal for to take to film studios." He stated that since Ghost in the Shell had gained recognition in America, the Wachowski brothers used it as a "promotional tool". Besides Ghost in the Shell, another Japanese anime which influenced The Matrix was the 1985 film Megazone 23, directed by Noboru Ishiguro and Shinji Aramaki. An American adaptation of Megazone 23 was released in 1986 as Robotech: The Movie. There are also several more Japanese anime and manga that can be found as sources of influence.
Reviewers have commented on similarities between The Matrix and other late-1990s films such as Strange Days, Dark City, and The Truman Show. Comparisons have also been made to Grant Morrison's comic series The Invisibles; Morrison believes that the Wachowski brothers essentially plagiarized his work to create the film. In addition, the similarity of the film's central concept to a device in the long running series Doctor Who has also been noted. As in the film, the Matrix of that series (introduced in the 1976 serial The Deadly Assassin) is a massive computer system which one enters using a device connecting to the head, allowing users to see representations of the real world and change its laws of physics; but if killed there, they will die in reality. There is also a similar "Matrix" used by the Travellers in Paul Cornell's 1992 Doctor Who spin-off novel Love and War, in which a socket at the top of the spine is used to plug into the Matrix.
There are still numerous other influences from diverse sources such as Harlan Ellison (I Have No Mouth, and I Must Scream), Thomas Pynchon (The Crying of Lot 49), and William Gibson (Neuromancer).
THE MATRIX RELOADED (2003),
THE MATRIX REVOLUTIONS (2003)
The Matrix is a science fiction action franchise created by Andy and Larry Wachowski and distributed by Warner Bros. Pictures. The series began with the 1999 film The Matrix and later spawned two sequels; The Matrix Reloaded and The Matrix Revolutions, both released in 2003, thus forming a trilogy. The characters and settings of the Matrix fictional universe are further explored in other media, including animation, comic books, and video games.
The series depicts a cyberpunk story incorporating numerous references to philosophical and religious ideas. Other influences include mythology, anime, and Hong Kong action films (particularly "heroic bloodshed" and martial arts movies). The fight choreographer for the trilogy was Yuen Woo-ping.
The term "Matrix" is used to describe what is today referred to as virtual reality in the seminal 1984 science fiction novel Neuromancer by William Gibson.
In the dystopia the series depicts, Earth is dominated by sentient machines, who have turned on humans and forced them into slavery. At one point, humans believed they could wipe out the machines by "scorching the sky," as they thought solar energy to be the life source of the machines. However, the machines devised a way to extract the bioelectricity and thermal energy from the human body by growing humans in pods connected by cybernetic implants to an artificial reality called the Matrix, which keeps their minds under control.
The Matrix makes numerous references to recent films and literature, and to historical myths and philosophy including Buddhism, Vedanta, Advaita Hinduism, Christianity, Messianism, Gnosticism, Existentialism, Nihilism. The film's premise resembles Plato's Allegory of the cave, René Descartes's evil demon, Kant's reflections on the Phenomenon versus the Ding an sich, Zhuangzi's "Zhuangzi dreamed he was a butterfly", Marx's social theory and the brain in a vat thought experiment. Many references to Jean Baudrillard's Simulacra and Simulation appear in the film, although Baudrillard himself considered this a misrepresentation. There are similarities to cyberpunk works such as Neuromancer by William Gibson.
Japanese director Mamoru Oshii's Ghost in the Shell was a strong influence. Producer Joel Silver has stated that the Wachowski brothers first described their intentions for The Matrix by showing him that anime and saying, "We wanna do that for real". Mitsuhisa Ishikawa of Production I.G, which produced Ghost in the Shell, noted that the anime's high-quality visuals were a strong source of inspiration for the Wachowski brothers. He also commented, "... cyberpunk films are very difficult to describe to a third person. I'd imagine that The Matrix is the kind of film that was very difficult to draw up a written proposal for to take to film studios." He stated that since Ghost in the Shell had gained recognition in America, the Wachowski brothers used it as a "promotional tool". Besides Ghost in the Shell, another Japanese anime which influenced The Matrix was the 1985 film Megazone 23, directed by Noboru Ishiguro and Shinji Aramaki. An American adaptation of Megazone 23 was released in 1986 as Robotech: The Movie. There are also several more Japanese anime and manga that can be found as sources of influence.
Reviewers have commented on similarities between The Matrix and other late-1990s films such as Strange Days, Dark City, and The Truman Show. Comparisons have also been made to Grant Morrison's comic series The Invisibles; Morrison believes that the Wachowski brothers essentially plagiarized his work to create the film. In addition, the similarity of the film's central concept to a device in the long running series Doctor Who has also been noted. As in the film, the Matrix of that series (introduced in the 1976 serial The Deadly Assassin) is a massive computer system which one enters using a device connecting to the head, allowing users to see representations of the real world and change its laws of physics; but if killed there, they will die in reality. There is also a similar "Matrix" used by the Travellers in Paul Cornell's 1992 Doctor Who spin-off novel Love and War, in which a socket at the top of the spine is used to plug into the Matrix.
There are still numerous other influences from diverse sources such as Harlan Ellison (I Have No Mouth, and I Must Scream), Thomas Pynchon (The Crying of Lot 49), and William Gibson (Neuromancer).
Wednesday, August 10, 2011
Cape Fear - 1991
Cape Fear is a 1991 thriller film directed by Martin Scorsese and a remake of the 1962 film of the same name. It stars Robert De Niro, Nick Nolte, Jessica Lange and Juliette Lewis and features cameos from Gregory Peck, Robert Mitchum and Martin Balsam, who all appeared in the 1962 original. The film tells the story of a convicted rapist who seeks vengeance against a former public defender whom he blames for his 14-year imprisonment due to purposefully faulty defense tactics used during his trial.
The film received Academy Award and Golden Globe nominations for Best Actor (De Niro) and Best Supporting Actress (Lewis).
Sam Bowden (Nick Nolte) is a former Atlanta public defender who is now in private practice in the quiet town of New Essex, North Carolina. Max Cady (Robert De Niro) is an ex-client whom Bowden had defended 14 years previously in Atlanta. Cady, who was being tried for the rape and battery of a young woman, was illiterate at the time and unable to read a report Bowden had kept hidden from the court, which revealed that the victim was promiscuous. The report might have lightened Cady's sentence or even acquitted him had Bowden brought it to light. Bowden had kept it hidden, contrary to his duty as Cady's defense attorney, because he was appalled by the sheer violence in Cady's crime and wanted him to serve a severe sentence.
After his release from prison, Cady tracks down Bowden. The ex-con learned to read in prison and even assumed his own defense, unsuccessfully appealing his conviction several times. Cady hints strongly that he has learned about Bowden burying the report, noting that the judge and prosecutor in his case were trying to do right by their jobs but Cady felt betrayed by his own lawyer. Several incidents involving Cady begin to impact the Bowden family, which consists of Sam's wife Leigh (Jessica Lange) and their teenage daughter, Danielle (Juliette Lewis). The family dog, Ben, is mysteriously poisoned. Cady is seen at night perched on the wall just outside the Bowden property limits. Sam attempts to have Cady arrested, but local police lieutenant Elgart (Robert Mitchum) reminds Bowden that there is no evidence Cady has committed any crime.
The film received Academy Award and Golden Globe nominations for Best Actor (De Niro) and Best Supporting Actress (Lewis).
Sam Bowden (Nick Nolte) is a former Atlanta public defender who is now in private practice in the quiet town of New Essex, North Carolina. Max Cady (Robert De Niro) is an ex-client whom Bowden had defended 14 years previously in Atlanta. Cady, who was being tried for the rape and battery of a young woman, was illiterate at the time and unable to read a report Bowden had kept hidden from the court, which revealed that the victim was promiscuous. The report might have lightened Cady's sentence or even acquitted him had Bowden brought it to light. Bowden had kept it hidden, contrary to his duty as Cady's defense attorney, because he was appalled by the sheer violence in Cady's crime and wanted him to serve a severe sentence.
After his release from prison, Cady tracks down Bowden. The ex-con learned to read in prison and even assumed his own defense, unsuccessfully appealing his conviction several times. Cady hints strongly that he has learned about Bowden burying the report, noting that the judge and prosecutor in his case were trying to do right by their jobs but Cady felt betrayed by his own lawyer. Several incidents involving Cady begin to impact the Bowden family, which consists of Sam's wife Leigh (Jessica Lange) and their teenage daughter, Danielle (Juliette Lewis). The family dog, Ben, is mysteriously poisoned. Cady is seen at night perched on the wall just outside the Bowden property limits. Sam attempts to have Cady arrested, but local police lieutenant Elgart (Robert Mitchum) reminds Bowden that there is no evidence Cady has committed any crime.
Monday, August 8, 2011
The Lake House - 2006
The Lake House is a 2006 American romantic drama film remake of the South Korean motion picture Il Mare (2000). It was written by David Auburn, directed by Alejandro Agresti, and stars Keanu Reeves and Sandra Bullock as Alex Wyler and Kate Forster, respectively an architect living in 2004 and a doctor living in 2006. The two meet via letters left in a mailbox at the lake house they have both lived in at separate points in time; they carry on correspondence over two years, remaining separated by their original difference of two years. For Alex the time goes from 2004 to 2006. For Kate the time goes from 2006 to 2008. This film reunites Reeves and Bullock for the first time in a film since they co-starred in Speed in 1994.
In 2006, Dr. Kate Forster is leaving a lake house that she has been renting in suburban Wisconsin to move to Chicago. She leaves a note in the mailbox for the next tenant, adding that the paint-embedded pawprints on the walkway leading into the house were already there when she arrived.
Two years earlier, in 2004, Alex Wyler, an architect, arrives at the lake house and finds Kate's letter in the mailbox. The house is neglected, with no sign of pawprints anywhere. As Alex restores the house, a dog runs through his paint and leaves fresh pawprints right where Kate said they would be.
The film is set and filmed in the Chicago area. The downtown scenes are in The Loop. The scene where Kate and Morgan go to Henry's office, and Kate's dramatic exit down the stairs was filmed at the Chicago Architecture Foundation. The scene where Henry and Alex talk on the street after being in their father's office was filmed on the 400 block of South Michigan Ave, in front of the Fine Arts Building and the Auditorium Theater. Other filming location include Aurora, Illinois (now the Madison Park community) & Riverside, Illinois, a small town on the outskirts of Chicago known for its historic houses, and several Frank Lloyd Wright buildings. The train station in the movie is the real station of Riverside, and the bridge that Alex crosses, chasing Jack is called the "Swinging Bridge". It crosses the Des Plaines River. The lake house itself was built for the movie and dismantled after filming completed.
In 2006, Dr. Kate Forster is leaving a lake house that she has been renting in suburban Wisconsin to move to Chicago. She leaves a note in the mailbox for the next tenant, adding that the paint-embedded pawprints on the walkway leading into the house were already there when she arrived.
Two years earlier, in 2004, Alex Wyler, an architect, arrives at the lake house and finds Kate's letter in the mailbox. The house is neglected, with no sign of pawprints anywhere. As Alex restores the house, a dog runs through his paint and leaves fresh pawprints right where Kate said they would be.
The film is set and filmed in the Chicago area. The downtown scenes are in The Loop. The scene where Kate and Morgan go to Henry's office, and Kate's dramatic exit down the stairs was filmed at the Chicago Architecture Foundation. The scene where Henry and Alex talk on the street after being in their father's office was filmed on the 400 block of South Michigan Ave, in front of the Fine Arts Building and the Auditorium Theater. Other filming location include Aurora, Illinois (now the Madison Park community) & Riverside, Illinois, a small town on the outskirts of Chicago known for its historic houses, and several Frank Lloyd Wright buildings. The train station in the movie is the real station of Riverside, and the bridge that Alex crosses, chasing Jack is called the "Swinging Bridge". It crosses the Des Plaines River. The lake house itself was built for the movie and dismantled after filming completed.
Dear Frankie - 2004
I saw this film at the Tribeca Film Festival in New York City in May 2004 (where it had its PREMIERE) and I met Gerard Butler after the film. I knew then that he was a great actor. This is a very heartwarming, dramatic film.
Dear Frankie is a 2004 British drama film directed by Shona Auerbach. The screenplay by Andrea Gibb focuses on a young single mother whose love for her son prompts her to perpetuate a deception designed to protect him from the truth about his father.
Lizzie Morrison, her opinionated, chain-smoking mother Nell, and nine-year-old deaf son Frankie frequently move to keep one step ahead of her abusive ex-husband and his family. Newly relocated in the Scottish town of Greenock, she accepts a job at the local fish and chips shop owned by a friendly woman named Marie, and enrolls Frankie in school.
Through a Glasgow post office box, Frankie maintains a regular correspondence with someone he believes to be his father Davey, who allegedly is a merchant seaman working on the MS Accra. In reality, the letters he receives are written by his mother, who prefers maintaining this charade to telling her son the reason she fled her marriage.
In the UK, Radio Times awarded the film four out of a possible five stars and commented, "This simple story is rich with precise observation and it tugs at the heartstrings without being maudlin or manipulative . . . With its sincere and perceptive script, the beautifully shot film vividly captures the raw emotions of its complex characters . . . Despite occasional flickers of a fairy-tale ending, Auerbach ultimately resists the temptation, maintaining the realism and integrity that give this thoughtful feature its bittersweet charm."
Dear Frankie is a 2004 British drama film directed by Shona Auerbach. The screenplay by Andrea Gibb focuses on a young single mother whose love for her son prompts her to perpetuate a deception designed to protect him from the truth about his father.
Lizzie Morrison, her opinionated, chain-smoking mother Nell, and nine-year-old deaf son Frankie frequently move to keep one step ahead of her abusive ex-husband and his family. Newly relocated in the Scottish town of Greenock, she accepts a job at the local fish and chips shop owned by a friendly woman named Marie, and enrolls Frankie in school.
Through a Glasgow post office box, Frankie maintains a regular correspondence with someone he believes to be his father Davey, who allegedly is a merchant seaman working on the MS Accra. In reality, the letters he receives are written by his mother, who prefers maintaining this charade to telling her son the reason she fled her marriage.
In the UK, Radio Times awarded the film four out of a possible five stars and commented, "This simple story is rich with precise observation and it tugs at the heartstrings without being maudlin or manipulative . . . With its sincere and perceptive script, the beautifully shot film vividly captures the raw emotions of its complex characters . . . Despite occasional flickers of a fairy-tale ending, Auerbach ultimately resists the temptation, maintaining the realism and integrity that give this thoughtful feature its bittersweet charm."
Wednesday, August 3, 2011
Strangers On A Train - 1951
Strangers on a Train is an American psychological thriller produced and directed by Alfred Hitchcock. It was shot in the autumn of 1950 and released by Warner Bros. on June 30, 1951. The film stars Farley Granger, Ruth Roman and Robert Walker, and features Leo G. Carroll, Patricia Hitchcock and Laura Elliott.
The film was based on the 1950 novel of the same name by Patricia Highsmith.
This film is number 32 on AFI's 100 Years... 100 Thrills.
Amateur tennis star Guy Haines (Farley Granger) wants to divorce his vulgar and unfaithful wife Miriam (Laura Elliott), so he can marry the woman he loves, the elegant and beautiful Anne Morton (Ruth Roman), daughter of a senator (Leo G. Carroll). While on a train to meet Miriam, Haines meets Bruno Anthony (Robert Walker), a forward stranger who recognizes Guy from gossip items in the newspapers and knows about his marital problems. During lunch in Bruno's compartment, Bruno tells Guy about his idea for the perfect murder(s): he will kill Miriam and in exchange, Guy will kill Bruno's father. "Criss-cross", he says. Since both are strangers, otherwise unconnected, there is no identifiable motive for the crimes, Bruno contends, hence no suspicion. Guy hurriedly leaves the compartment but leaves Bruno thinking he has agreed to the deal. Guy accidentally leaves his cigarette lighter behind, a gift from Anne to Guy, which Bruno pockets.
Bruno heads to Guy's hometown of Metcalf and follows Miriam and her two beaux to an amusement park, where he briefly illuminates her face with Guy's lighter, then strangles her to death. Guy's problems begin when his alibi —
Strangers on a Train was nominated for an Academy Award for Best Black and White Cinematography, which was overseen by director of photography Robert Burks. Alfred Hitchcock was nominated for Best Director by the Directors' Guild of America. The film was nominated as Best Picture by the National Board of Review.
The film was based on the 1950 novel of the same name by Patricia Highsmith.
This film is number 32 on AFI's 100 Years... 100 Thrills.
Amateur tennis star Guy Haines (Farley Granger) wants to divorce his vulgar and unfaithful wife Miriam (Laura Elliott), so he can marry the woman he loves, the elegant and beautiful Anne Morton (Ruth Roman), daughter of a senator (Leo G. Carroll). While on a train to meet Miriam, Haines meets Bruno Anthony (Robert Walker), a forward stranger who recognizes Guy from gossip items in the newspapers and knows about his marital problems. During lunch in Bruno's compartment, Bruno tells Guy about his idea for the perfect murder(s): he will kill Miriam and in exchange, Guy will kill Bruno's father. "Criss-cross", he says. Since both are strangers, otherwise unconnected, there is no identifiable motive for the crimes, Bruno contends, hence no suspicion. Guy hurriedly leaves the compartment but leaves Bruno thinking he has agreed to the deal. Guy accidentally leaves his cigarette lighter behind, a gift from Anne to Guy, which Bruno pockets.
Bruno heads to Guy's hometown of Metcalf and follows Miriam and her two beaux to an amusement park, where he briefly illuminates her face with Guy's lighter, then strangles her to death. Guy's problems begin when his alibi —
Strangers on a Train was nominated for an Academy Award for Best Black and White Cinematography, which was overseen by director of photography Robert Burks. Alfred Hitchcock was nominated for Best Director by the Directors' Guild of America. The film was nominated as Best Picture by the National Board of Review.
House of Flying Daggers - 2004
I was so mesmerized by the cinematography in this film. The romantic tale really captures the viewer. What a GREAT film!
House of Flying Daggers is a 2004 wuxia film directed by Zhang Yimou. It differs from other wuxia films in that it is more of a love story than a straight martial arts film.
The use of strong colours is again a signature of Zhang Yimou's work. Several scenes in a bamboo forest completely fill the screen with green. Near the end of the film, a fight scene is set in a blizzard. The actors and blood are greatly highlighted on a whiteout background. Another scene uses bright yellow as a colour theme. The costumes, props, and decorations were taken almost entirely from Chinese paintings of the period, adding authenticity to the look of the film.
The film opened in limited release within the United States on December 3, 2004, in New York City and Los Angeles, and opened on additional screens throughout the country two weeks later. The film is set in 859 AD. The once great Tang Dynasty is now in decline. Numerous rebel groups have formed, the largest of which is the House of Flying Daggers, based in Feng Tian county. The Flying Daggers steal from the rich and give to the poor, gaining the support of the locals.
The local deputies have managed to kill the leader of the Flying Daggers, but the rebel group only becomes stronger, due to a mysterious new leader. Jin (Takeshi Kaneshiro) and Leo (Andy Lau), two police captains, are ordered to kill the new leader within ten days.
In order to accomplish this, they arrest Mei (Zhang Ziyi), a blind dancer who is suspected of being the daughter of the old leader of the Flying Daggers. While Mei is incarcerated, Jin and Leo decide to let her go to track the mastermind; Jin will pretend to be a lone warrior called Wind, and break her out of prison. This will gain her trust, and hopefully, Jin will be led to the headquarters of Flying Daggers. The plan works, but Mei and Jin fall in love on the way. They are followed at a distance by Leo; Jin and Leo meet secretly to discuss their plans. Jin jokes about his seduction of the girl; Leo warns him sternly against getting involved.
To add authenticity to the deception, Leo and his men ambush the pair: the fight is, however, a fake. Further on, they are attacked again, but this time their assailants are apparently for real: Jin and Mei battle for their lives, being saved only by the intervention of an unseen knife-thrower. Furious, Jin confronts Leo: Leo explains that he has reported the matter up the chain of command and his general has taken over the pursuit. Jin realizes that he is now expendable.
The film features the theme of a beautiful woman who brings woe to two men. This theme is borrowed from a famous poem written by the Han Dynasty poet Li Yannian.
House of Flying Daggers is a 2004 wuxia film directed by Zhang Yimou. It differs from other wuxia films in that it is more of a love story than a straight martial arts film.
The use of strong colours is again a signature of Zhang Yimou's work. Several scenes in a bamboo forest completely fill the screen with green. Near the end of the film, a fight scene is set in a blizzard. The actors and blood are greatly highlighted on a whiteout background. Another scene uses bright yellow as a colour theme. The costumes, props, and decorations were taken almost entirely from Chinese paintings of the period, adding authenticity to the look of the film.
The film opened in limited release within the United States on December 3, 2004, in New York City and Los Angeles, and opened on additional screens throughout the country two weeks later. The film is set in 859 AD. The once great Tang Dynasty is now in decline. Numerous rebel groups have formed, the largest of which is the House of Flying Daggers, based in Feng Tian county. The Flying Daggers steal from the rich and give to the poor, gaining the support of the locals.
The local deputies have managed to kill the leader of the Flying Daggers, but the rebel group only becomes stronger, due to a mysterious new leader. Jin (Takeshi Kaneshiro) and Leo (Andy Lau), two police captains, are ordered to kill the new leader within ten days.
In order to accomplish this, they arrest Mei (Zhang Ziyi), a blind dancer who is suspected of being the daughter of the old leader of the Flying Daggers. While Mei is incarcerated, Jin and Leo decide to let her go to track the mastermind; Jin will pretend to be a lone warrior called Wind, and break her out of prison. This will gain her trust, and hopefully, Jin will be led to the headquarters of Flying Daggers. The plan works, but Mei and Jin fall in love on the way. They are followed at a distance by Leo; Jin and Leo meet secretly to discuss their plans. Jin jokes about his seduction of the girl; Leo warns him sternly against getting involved.
To add authenticity to the deception, Leo and his men ambush the pair: the fight is, however, a fake. Further on, they are attacked again, but this time their assailants are apparently for real: Jin and Mei battle for their lives, being saved only by the intervention of an unseen knife-thrower. Furious, Jin confronts Leo: Leo explains that he has reported the matter up the chain of command and his general has taken over the pursuit. Jin realizes that he is now expendable.
The film features the theme of a beautiful woman who brings woe to two men. This theme is borrowed from a famous poem written by the Han Dynasty poet Li Yannian.
Dirt! The Movie - (2009)
This is a must-see documentary for every person on this planet Earth. The importance of "dirt" really woke me up after seeing this film. Plant a garden...shop at a farmers market. Do your share for a better world. Use your dirt! Cultivate it. Spread the word!
"Dirt! The Movie" is a 2009 American documentary film directed by filmmakers Gene Rosow and Bill Benenson and narrated by Jamie Lee Curtis. It was inspired by the book Dirt: The Ecstatic Skin of the Earth by William Bryant Logan. The film explores the relationship between humans and soil, including its necessity for human life and impacts by society.
"Dirt! The Movie" was an official nominee for the 2009 Sundance Film Festival and won several other awards, including the best documentary award at the 2009 Visions/Voices Environmental Film Festival and the "Best film for our future" award at the 2009 Mendocino Film Festival.
"Dirt! The Movie" is a 2009 American documentary film directed by filmmakers Gene Rosow and Bill Benenson and narrated by Jamie Lee Curtis. It was inspired by the book Dirt: The Ecstatic Skin of the Earth by William Bryant Logan. The film explores the relationship between humans and soil, including its necessity for human life and impacts by society.
"Dirt! The Movie" was an official nominee for the 2009 Sundance Film Festival and won several other awards, including the best documentary award at the 2009 Visions/Voices Environmental Film Festival and the "Best film for our future" award at the 2009 Mendocino Film Festival.
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