Showing posts with label cinematography. Show all posts
Showing posts with label cinematography. Show all posts
Sunday, July 24, 2011
A Single Man - 2009
Fashion designer Tom Ford's directorial debut and financed by himself, this is a film with beautiful cinematography and an oscar worthy cast.
It's November 30, 1962. Native Brit George Falconer, an English professor at a Los Angeles area college, is finding it difficult to cope with life. Jim, his personal partner of sixteen years, died in a car accident eight months earlier when he was visiting with family. Jim's family were not going to tell George of the death or accident let alone allow him to attend the funeral. This day, George has decided to get his affairs in order before he will commit suicide that evening. As he routinely and fastidiously prepares for the suicide and post suicide, George reminisces about his life with Jim. But George spends this day with various people, who see a man sadder than usual and who affect his own thoughts about what he is going to do. Those people include Carlos, a Spanish immigrant/aspiring actor/gigolo recently arrived in Los Angeles; Charley, his best friend who he knew from England, she who is a drama queen of a woman who romantically desires her best friend despite his sexual orientation; and Kenny Potter, one of his students, who seems to be curious about his professor beyond English class
Monday, June 13, 2011
The Third Man - 1949
Would you like to see a film from the 1940s that is so captivating visually? How about a film that also has a great, mysterious plot? This is it! I was looking for a movie that starred Orson Welles only because I kept hearing his name mentioned here and there. This shows Orson at his best. I also love the street scenes of Vienna, Austria 'at night'. Classic!
The Third Man is a 1949 British film noir directed by Carol Reed and starring Joseph Cotten, Alida Valli, Orson Welles, and Trevor Howard. Many critics rank it as a masterpiece, particularly remembered for its atmospheric cinematography, performances, and unique musical score. The screenplay was written by novelist Graham Greene, later becoming his novella of the same name. Anton Karas wrote the score, which used only the zither; its title cut topped the international music charts in 1950.
Vienna, devastated by and recovering from World War II, is divided into four separate zones, each governed by one of the victorious Allies, and a jointly-administered international zone. American pulp Western writer Holly Martins (Joseph Cotten) arrives seeking an old friend, Harry Lime (Orson Welles), who has offered him the opportunity to work with him there.
Arriving at Lime's apartment, Martins discovers that Lime was recently hit and killed by a lorry while crossing the street. Shocked, Martins heads to the cemetery to attend his friend's funeral, where he meets two British Army Royal Military Policemen: Sergeant Paine (Bernard Lee), a fan of Martins's books, and his superior, Major Calloway (Trevor Howard). After the services, Martins accepts an invitation to speak to the members of a local book club, delaying his departure to do so. He is contacted by a friend of Lime's, Baron Kurtz (Ernst Deutsch), who wants to talk about Lime's death. Kurtz relates that he and Popescu (Siegfried Breuer), another friend of Lime's, had picked Lime up after the accident and brought him over to the side of the street, where before dying he had asked them to take care of Martins and Anna, Lime's actress girlfriend. Kurtz mentions the theatre where Anna (Alida Valli) works, but advises that the case is pointless to pursue and best left.
The Third Man is a 1949 British film noir directed by Carol Reed and starring Joseph Cotten, Alida Valli, Orson Welles, and Trevor Howard. Many critics rank it as a masterpiece, particularly remembered for its atmospheric cinematography, performances, and unique musical score. The screenplay was written by novelist Graham Greene, later becoming his novella of the same name. Anton Karas wrote the score, which used only the zither; its title cut topped the international music charts in 1950.
Vienna, devastated by and recovering from World War II, is divided into four separate zones, each governed by one of the victorious Allies, and a jointly-administered international zone. American pulp Western writer Holly Martins (Joseph Cotten) arrives seeking an old friend, Harry Lime (Orson Welles), who has offered him the opportunity to work with him there.
Arriving at Lime's apartment, Martins discovers that Lime was recently hit and killed by a lorry while crossing the street. Shocked, Martins heads to the cemetery to attend his friend's funeral, where he meets two British Army Royal Military Policemen: Sergeant Paine (Bernard Lee), a fan of Martins's books, and his superior, Major Calloway (Trevor Howard). After the services, Martins accepts an invitation to speak to the members of a local book club, delaying his departure to do so. He is contacted by a friend of Lime's, Baron Kurtz (Ernst Deutsch), who wants to talk about Lime's death. Kurtz relates that he and Popescu (Siegfried Breuer), another friend of Lime's, had picked Lime up after the accident and brought him over to the side of the street, where before dying he had asked them to take care of Martins and Anna, Lime's actress girlfriend. Kurtz mentions the theatre where Anna (Alida Valli) works, but advises that the case is pointless to pursue and best left.
Subscribe to:
Posts (Atom)