If you do NOT know actress, Nina Hoss (born July 7, 1975) in Stuttgart, Germany you will be pleasantly surprised. She is very well-known for her remarkable performance in WOMEN OF BERLIN, a 2008 German Film; however, this Germen Made for TV film (Das Machen Rosemary) shows her range and depth as a fantastic actress. The ending is 'so-so' but it's a great character study of this girl named Rosemary that may easily be termed a biological crime-drama. This film is available via NetFlix.
In 1997 Nina Hoss graduated from the Drama School "Ernst Busch" in Berlin. Her first major success was the title role of Bernd Eichinger’s "A Girl Called Rosemarie" in 1996. In 2000 she was one of the Shooting Stars at the Berlinale. Her close collaboration with director Christian Petzold has been extremely successful: she won the 2003 Adolf Grimme Award for her role in his film "Something To Remind Me" and two years later the Adolf Grimme Award in Gold for Wolfsburg.
Her performance of "Yella" earned her the Silver Bear for Best Actress at the Berlin International Film Festival in 2007 and the German Film Award in 2008. Hoss has been a member of the Juries of the Locarno International Film Festival in 2009, and the Berlin International Film Festival in 2011. She has been an ensemble member at the Deutsches Theater in Berlin since 1998, where she appeared as Medea.
Downfall (German: Der Untergang) is a 2004 German/Italian/Austrian epic war film directed by Oliver Hirschbiegel, depicting the final ten days of Adolf Hitler's life in his Berlin bunker and Nazi Germany in 1945.
The film was written by Bernd Eichinger, and based upon the books Inside Hitler's Bunker, by historian Joachim Fest; Until the Final Hour, the memoirs of Traudl Junge, one of Hitler's secretaries; portions of Albert Speer's memoirs Inside the Third Reich; Hitler's Last Days: An Eye–Witness Account, by Gerhardt Boldt; Das Notlazarett Unter Der Reichskanzlei: Ein Arzt Erlebt Hitlers Ende in Berlin (memoirs) by Doctor Ernst-Günther Schenck; and Soldat: Reflections of a German Soldier, 1936–1949 (memoirs) by Siegfried Knappe. The film was nominated for the Academy Award for Best Foreign Language Film.
In 1942, a group of German secretaries are escorted to Adolf Hitler's (Bruno Ganz) compound at the Wolf's Lair in East Prussia. After dictating to her for a moment and despite multiple mistakes, Hitler selects Traudl Humps (Alexandra Maria Lara) to be one of his personal secretaries.
The scene shifts to Hitler's 56th birthday on April 20, 1945. Secretary Traudl Humps (now Traudl Junge) is awakened in the Führerbunker by the sound of Soviet artillery. Later, Generals Wilhelm Burgdorf and Karl Koller confirm to a surprised Hitler that the Red Army is just 12 kilometres from the city centre. Later, at his birthday reception, Reichsführer-SS Heinrich Himmler (Ulrich Noethen) and his SS adjutant Hermann Fegelein (Thomas Kretschmann) plead with Hitler to allow himself to be evacuated from the city. Instead, Hitler declares, "I will defeat them in Berlin, or face my downfall." Himmler leaves Berlin with the intention of negotiating surrender terms with the Western Allies behind Hitler's back.
In another part of the city, a group of Hitler Youth members continue to build up defenses for the defense of Berlin. Peter, a boy in the group, is vainly urged by his father to desert and flee the city. Later, Peter's unit is part of a group which is awarded the Iron Cross by Hitler.
In this acclaimed drama inspired by true events, Olympic swimmer Harry Melchior (Heino Ferch) defects from East Germany in the 1960s and hatches a daring plot to help his sister (Alexandra Maria Lara) and others flee East Berlin through a 145-yard underground tunnel. With the help of an engineer (Sebastian Koch), Melchior leads the risky plan, under constant threat of being discovered by the authorities.
The Swing Kids (German: Swingjugend) were a group of jazz and swing lovers in Germany in the 1930s, mainly in Hamburg (St. Pauli) and Berlin. They were composed of 14- to 18-year-old boys and girls in high school, most of them middle- or upper-class students, but some apprentice workers as well. They sought the British and American way of life, defining themselves in swing music and opposing the National-Socialist ideology, especially the Hitlerjugend.
The music and dance in this film is really wonderful. It's only when the real-life drama starts that one wishes they could dance and hear the music once again. GREAT movie!
Swing Kids, the film, was produced in 1993, directed by Thomas Carter and starring Christian Bale, Robert Sean Leonard and Kenneth Branagh. The runtime is approximately 112 minutes. The film is considered as being part of the Lindy Hop revival of the 1980s and 1990s. The soundtrack includes a combination of swing music and the film's score.
Run Lola Run (German: Lola rennt, literally Lola Runs) is a 1998 German crime thriller film written and directed by Tom Tykwer and starring Franka Potente as Lola and Moritz Bleibtreu as Manni. The story follows a woman who needs to obtain 100,000 German marks in 20 minutes to save her boyfriend's life. The film depicts three scenarios that make it seem like you're watching three different versions of the same film.
In his review of the film, Roger Ebert noted how the film's structure was very similar to that of a video game. Ebert mentioned the kinetic style of the film and commented that the "heroine is like the avatar in a video game -- Lara Croft made flesh." The narrative itself evokes the typical video game. Just like a character in a video game, Lola dies once and sees Manni die once before figuring out how to "beat the level." The opening of the film sets the film up as a game, albeit a football game, however the point remains. Just like somebody who must replay a level in a video game and learn from their mistakes, Lola is given several more chances to successfully complete her mission.
Throughout the film, Lola bumps into people, talks to them, or simply passes them by, and the sound of a camera flash warming up can be heard. Their resulting futures are then conveyed in a series of still frames. The futures are widely divergent from encounter to encounter. In one scenario, a woman whom Lola accidentally bumps into remains poor and kidnaps an unattended baby after her child was taken away by social workers. In another scenario the woman wins the lottery and becomes rich. In the third scenario, the woman experiences a religious conversion. The sound of the camera flash warming up is repeated a final time at the end of the film, when Lola smiles at Manni's question about what's in her bag.
Would you give your life, your freedom to protect right from wrong? To keep your faith? To protect the lives of others?
In World War II, after a period living hell on earth in the concentration camp of Dachau with other catholic priests, Father Abbé Henri Kremer gets a nine days leave to return to his home town for his mother's funeral. Along this period, the SS Gestapo lieutenant Gebhardt tries to persuade Henri, who was born in silver-spoon and member of an influent Luxembourgian family, to convince the local bishop to give-up resisting to the Germans and write a letter to the Vatican in the name of the Catholic Church of Luxemburg convincing the Pope to support Hitler and the Nazi regime.
A drama loosely based on Jean Bernard's Nazi-era prison diary "Pfarrerblock 25487".
The East German secret police (Stasi) employed a network of 100,000 staff and 200,000 informants to spy on it's own citizens. This film shows the effects of this invasion of privacy on both parties. A very good movie worthy of the Academy Award it received for Best Foreign Language Film.
Set in 1980s East Berlin, director Florian Henckel von Donnersmarck's debut feature provides an exquisitely nuanced portrait of life under the watchful eye of the state police. When a successful playwright and his actress companion become subjects of the Stasi's secret surveillance program, their friends, family -- and even those doing the watching -- find their lives forever changed.
The psychological thriller is probably one of my favorite genres, and this is a worthy example.
Small town farmer and policeman Michael is haunted by the brutal death of a local girl and the mental games played by a recently apprehended serial killer who holds the key. Perfect casting, exceptional performances, and gorgeous cinematography make this worth watching. The film's thoughtful writing leads an intelligent viewer along a dark path and asks if they can recognize evil, or see the seeds of its infectious nature.
Everytime I see a film based on the events of World War II, I see yet another way that people were effected by this single event in history.
The horrors and moral compromises of this war set the stage for this harrowing drama from director Max Färberböck. Based on the best-selling diaries of an anonymous German woman who survived the Soviet invasion of Berlin at the end of World War II, this gripping drama tells the story of a photojournalist's (Nina Hoss) forbidden relationship with a Soviet officer (Yevgeni Sidikhin). After being sexually assaulted by members of the invading Red Army, she turns to the officer for support, but soon finds herself falling for him.
A moving story of perseverance and hope. A must see in the feel good department.
After escaping from a Siberian labor camp in the wake of World War II, German soldier Clemens Forell (Bernhard Bettermann) makes his way toward his wife and children, traveling more than 8,000 miles over the course of three long years to reach his final destination. Hardy Martins directs this critically acclaimed adaptation of the best-selling book by Josef Martin Bauer, a true story of survival and courage.
One of my favorite films I viewed in the last year. The music alone is worth a look.
Traude (Monica Bleibtreu), an elderly music teacher who gives piano lessons to prisoners, finds an unexpected prodigy in Jenny (Hannah Herzsprung), a brooding young inmate, and devotes herself to developing Jenny's talent in the little time they have together. But while Traude teaches Jenny valuable lessons about music, Jenny herself inspires Traude to examine her own past and the meaning of her life -- and what might have passed her by.
