Wednesday, August 3, 2011

House of Flying Daggers - 2004

I was so mesmerized by the cinematography in this film. The romantic tale really captures the viewer. What a GREAT film!

House of Flying Daggers is a 2004 wuxia film directed by Zhang Yimou. It differs from other wuxia films in that it is more of a love story than a straight martial arts film.

The use of strong colours is again a signature of Zhang Yimou's work. Several scenes in a bamboo forest completely fill the screen with green. Near the end of the film, a fight scene is set in a blizzard. The actors and blood are greatly highlighted on a whiteout background. Another scene uses bright yellow as a colour theme. The costumes, props, and decorations were taken almost entirely from Chinese paintings of the period, adding authenticity to the look of the film.

The film opened in limited release within the United States on December 3, 2004, in New York City and Los Angeles, and opened on additional screens throughout the country two weeks later. The film is set in 859 AD. The once great Tang Dynasty is now in decline. Numerous rebel groups have formed, the largest of which is the House of Flying Daggers, based in Feng Tian county. The Flying Daggers steal from the rich and give to the poor, gaining the support of the locals.

The local deputies have managed to kill the leader of the Flying Daggers, but the rebel group only becomes stronger, due to a mysterious new leader. Jin (Takeshi Kaneshiro) and Leo (Andy Lau), two police captains, are ordered to kill the new leader within ten days.

In order to accomplish this, they arrest Mei (Zhang Ziyi), a blind dancer who is suspected of being the daughter of the old leader of the Flying Daggers. While Mei is incarcerated, Jin and Leo decide to let her go to track the mastermind; Jin will pretend to be a lone warrior called Wind, and break her out of prison. This will gain her trust, and hopefully, Jin will be led to the headquarters of Flying Daggers. The plan works, but Mei and Jin fall in love on the way. They are followed at a distance by Leo; Jin and Leo meet secretly to discuss their plans. Jin jokes about his seduction of the girl; Leo warns him sternly against getting involved.

To add authenticity to the deception, Leo and his men ambush the pair: the fight is, however, a fake. Further on, they are attacked again, but this time their assailants are apparently for real: Jin and Mei battle for their lives, being saved only by the intervention of an unseen knife-thrower. Furious, Jin confronts Leo: Leo explains that he has reported the matter up the chain of command and his general has taken over the pursuit. Jin realizes that he is now expendable.

The film features the theme of a beautiful woman who brings woe to two men. This theme is borrowed from a famous poem written by the Han Dynasty poet Li Yannian.

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