The Matrix (3-Film Franchise) - 1999, 2003

THE MATRIX (1999),
THE MATRIX RELOADED (2003),
THE MATRIX REVOLUTIONS (2003)

The Matrix is a science fiction action franchise created by Andy and Larry Wachowski and distributed by Warner Bros. Pictures. The series began with the 1999 film The Matrix and later spawned two sequels; The Matrix Reloaded and The Matrix Revolutions, both released in 2003, thus forming a trilogy. The characters and settings of the Matrix fictional universe are further explored in other media, including animation, comic books, and video games.


The series depicts a cyberpunk story incorporating numerous references to philosophical and religious ideas. Other influences include mythology, anime, and Hong Kong action films (particularly "heroic bloodshed" and martial arts movies). The fight choreographer for the trilogy was Yuen Woo-ping.


The term "Matrix" is used to describe what is today referred to as virtual reality in the seminal 1984 science fiction novel Neuromancer by William Gibson.


In the dystopia the series depicts, Earth is dominated by sentient machines, who have turned on humans and forced them into slavery.  At one point, humans believed they could wipe out the machines by "scorching the sky," as they thought solar energy to be the life source of the machines. However, the machines devised a way to extract the bioelectricity and thermal energy from the human body by growing humans in pods connected by cybernetic implants to an artificial reality called the Matrix, which keeps their minds under control.


The Matrix makes numerous references to recent films and literature, and to historical myths and philosophy including Buddhism, Vedanta, Advaita Hinduism, Christianity, Messianism, Gnosticism, Existentialism, Nihilism. The film's premise resembles Plato's Allegory of the cave, René Descartes's evil demon, Kant's reflections on the Phenomenon versus the Ding an sich, Zhuangzi's "Zhuangzi dreamed he was a butterfly", Marx's social theory and the brain in a vat thought experiment. Many references to Jean Baudrillard's Simulacra and Simulation appear in the film, although Baudrillard himself considered this a misrepresentation. There are similarities to cyberpunk works such as Neuromancer by William Gibson.


Japanese director Mamoru Oshii's Ghost in the Shell was a strong influence. Producer Joel Silver has stated that the Wachowski brothers first described their intentions for The Matrix by showing him that anime and saying, "We wanna do that for real". Mitsuhisa Ishikawa of Production I.G, which produced Ghost in the Shell, noted that the anime's high-quality visuals were a strong source of inspiration for the Wachowski brothers. He also commented, "... cyberpunk films are very difficult to describe to a third person. I'd imagine that The Matrix is the kind of film that was very difficult to draw up a written proposal for to take to film studios." He stated that since Ghost in the Shell had gained recognition in America, the Wachowski brothers used it as a "promotional tool". Besides Ghost in the Shell, another Japanese anime which influenced The Matrix was the 1985 film Megazone 23, directed by Noboru Ishiguro and Shinji Aramaki. An American adaptation of Megazone 23 was released in 1986 as Robotech: The Movie. There are also several more Japanese anime and manga that can be found as sources of influence.


Reviewers have commented on similarities between The Matrix and other late-1990s films such as Strange Days, Dark City, and The Truman Show. Comparisons have also been made to Grant Morrison's comic series The Invisibles; Morrison believes that the Wachowski brothers essentially plagiarized his work to create the film. In addition, the similarity of the film's central concept to a device in the long running series Doctor Who has also been noted. As in the film, the Matrix of that series (introduced in the 1976 serial The Deadly Assassin) is a massive computer system which one enters using a device connecting to the head, allowing users to see representations of the real world and change its laws of physics; but if killed there, they will die in reality. There is also a similar "Matrix" used by the Travellers in Paul Cornell's 1992 Doctor Who spin-off novel Love and War, in which a socket at the top of the spine is used to plug into the Matrix.


There are still numerous other influences from diverse sources such as Harlan Ellison (I Have No Mouth, and I Must Scream), Thomas Pynchon (The Crying of Lot 49), and William Gibson (Neuromancer).

House of Flying Daggers - 2004

I was so mesmerized by the cinematography in this film. The romantic tale really captures the viewer. What a GREAT film!

House of Flying Daggers is a 2004 wuxia film directed by Zhang Yimou. It differs from other wuxia films in that it is more of a love story than a straight martial arts film.

The use of strong colours is again a signature of Zhang Yimou's work. Several scenes in a bamboo forest completely fill the screen with green. Near the end of the film, a fight scene is set in a blizzard. The actors and blood are greatly highlighted on a whiteout background. Another scene uses bright yellow as a colour theme. The costumes, props, and decorations were taken almost entirely from Chinese paintings of the period, adding authenticity to the look of the film.

The film opened in limited release within the United States on December 3, 2004, in New York City and Los Angeles, and opened on additional screens throughout the country two weeks later. The film is set in 859 AD. The once great Tang Dynasty is now in decline. Numerous rebel groups have formed, the largest of which is the House of Flying Daggers, based in Feng Tian county. The Flying Daggers steal from the rich and give to the poor, gaining the support of the locals.

The local deputies have managed to kill the leader of the Flying Daggers, but the rebel group only becomes stronger, due to a mysterious new leader. Jin (Takeshi Kaneshiro) and Leo (Andy Lau), two police captains, are ordered to kill the new leader within ten days.

In order to accomplish this, they arrest Mei (Zhang Ziyi), a blind dancer who is suspected of being the daughter of the old leader of the Flying Daggers. While Mei is incarcerated, Jin and Leo decide to let her go to track the mastermind; Jin will pretend to be a lone warrior called Wind, and break her out of prison. This will gain her trust, and hopefully, Jin will be led to the headquarters of Flying Daggers. The plan works, but Mei and Jin fall in love on the way. They are followed at a distance by Leo; Jin and Leo meet secretly to discuss their plans. Jin jokes about his seduction of the girl; Leo warns him sternly against getting involved.

To add authenticity to the deception, Leo and his men ambush the pair: the fight is, however, a fake. Further on, they are attacked again, but this time their assailants are apparently for real: Jin and Mei battle for their lives, being saved only by the intervention of an unseen knife-thrower. Furious, Jin confronts Leo: Leo explains that he has reported the matter up the chain of command and his general has taken over the pursuit. Jin realizes that he is now expendable.

The film features the theme of a beautiful woman who brings woe to two men. This theme is borrowed from a famous poem written by the Han Dynasty poet Li Yannian.