Eating Raoul is a 1982 black comedy about a married couple living in Hollywood who resort to killing swingers for their money. It was directed by Paul Bartel and written by Bartel and Richard Blackburn.
The writers also commissioned a single-issue comic book based on the movie for promotion; it was created by underground comics creator Kim Deitch. Eating Raoul, a stage musical adaptation, was presented off-Broadway in 1992, and also played at the Bridewell Theatre, London, in 2000.
On April 13, 2004, the long out of print film was released on DVD by Columbia TriStar Home Entertainment.
The First Wives Club is a 1996 comedy film, based on the best-selling 1992 novel of the same name by Olivia Goldsmith. Narrated by Diane Keaton, it stars Keaton, Goldie Hawn, and Bette Midler as three divorced women who seek revenge on their husbands who left them for younger women. Stephen Collins, Victor Garber and Dan Hedaya co-star as the husbands, and Sarah Jessica Parker, Marcia Gay Harden and Elizabeth Berkley as their lovers, with Maggie Smith, Bronson Pinchot and Stockard Channing also starring. Scott Rudin produced and Hugh Wilson directed; the film was distributed by Paramount Pictures.
The film became a surprise box-office hit following its North American release, eventually grossing $181,490,000 worldwide, mostly from its domestic run, despite receiving mediocre reviews. Developing a cult following among middle-aged women, the actresses' highest-grossing project of the decade helped revitalize their careers in film and television. Composer Marc Shaiman was nominated for an Academy Award for Best Original Music Score, while Hawn was awarded a Blockbuster Entertainment Award and both Midler and Parker received Satellite Award nominations for their portrayals.
Blade Runner is a 1982 American science fiction film directed by Ridley Scott and starring Harrison Ford, Rutger Hauer, and Sean Young. The screenplay, written by Hampton Fancher and David Peoples, is loosely based on the novel "Do Androids Dream of Electric Sheep?" by Philip K. Dick.
The film depicts a dystopian Los Angeles in November 2019 in which genetically engineered organic robots called replicants—visually indistinguishable from adult humans—are manufactured by the powerful Tyrell Corporation as well as by other "mega–manufacturers" around the world. Their use on Earth is banned and replicants are exclusively used for dangerous, menial or leisure work on Earth's off-world colonies. Replicants who defy the ban and return to Earth are hunted down and "retired" by police special operatives known as "Blade Runners". The plot focuses on a brutal and cunning group of recently escaped replicants hiding in Los Angeles and the burnt out expert Blade Runner, Rick Deckard (Harrison Ford), who reluctantly agrees to take on one more assignment to hunt them down.
Blade Runner initially polarized critics: some were displeased with the pacing, while others enjoyed its thematic complexity. The film performed poorly in North American theaters but, despite the box office failure of the film, it has since become a cult classic and is now widely regarded as one of the best movies ever made. Blade Runner has been hailed for its production design, depicting a "retrofitted" future, and it remains a leading example of the neo-noir genre. Blade Runner brought the work of author Philip K. Dick to the attention of Hollywood and several later films were based on his work. Ridley Scott regards Blade Runner as "probably" his most complete and personal film. In 1993 Blade Runner was selected for preservation in the United States National Film Registry by the Library of Congress as being "culturally, historically, or aesthetically significant".
Seven versions of the film have been shown for various markets as a result of controversial changes made by film executives. A rushed Director's Cut was released in 1992 after a strong response to workprint screenings. This, in conjunction with its popularity as a video rental, made it one of the first films released on DVD, resulting in a basic disc with mediocre video and audio quality. In 2007 Warner Bros. released The Final Cut, a 25th anniversary digitally remastered version by Scott in selected theaters, and subsequently on DVD, HD DVD, and Blu-ray Disc.
Among the folklore that has developed around the film over the years has been the belief that the film was a curse to the companies whose logos were displayed prominently as product placements in some scenes. While they were market leaders at the time, more than half experienced disastrous setbacks during the next decade. Atari dominated the home video game market when the film came out, but was making losses by the 1990s. Cuisinart and Pan Am went bankrupt in 1989 and 1991 respectively. The Bell System monopoly was broken up in the year of the film's release. The Coca-Cola Company suffered losses during its failed introduction of New Coke in 1985, but soon afterwards regained its market share.
It was announced on August 18, 2011 that Ridley Scott was to be at the helm of a new Blade Runner movie, either a sequel or a prequel, with filming to begin no earlier than 2013 and a release for the following year. Indications from producer Andrew Kosove were that Harrison Ford was unlikely to be involved in the project.
Blue Velvet is a 1986 American mystery film written and directed by David Lynch. The movie exhibits elements of both film noir and surrealism. The film features Kyle MacLachlan, Isabella Rossellini, Dennis Hopper, and Laura Dern. The title is taken from the 1963 Bobby Vinton song of the same name. Although initially detested by some mainstream critics, the film is now widely acclaimed, and earned Lynch his second Academy Award nomination for Best Director.
As an example of a director casting against the norm, Blue Velvet is also noted for re-launching Hopper's career and for providing Rossellini with a dramatic outlet beyond the work as a fashion model and a cosmetics spokeswoman for which she had until then been known.
After the commercial and critical failure of Lynch's Dune (1984), he made attempts at developing a more "personal story", somewhat characteristic of his surreal style he displayed in his debut Eraserhead (1977). The screenplay of Blue Velvet had been passed around multiple times in the late 1970s and early 1980s, with many major studios declining it because of its strong sexual and violent content. The independent studio De Laurentiis Entertainment Group, which was owned at the time by Italian film producer Dino De Laurentiis, agreed to finance and produce the film. Since its initial theatrical release, Blue Velvet has achieved cult status, significant academic attention and is widely regarded as one of Lynch's finest works, alongside Eraserhead and Mulholland Drive (2001). It is also seen by many critics as representing a modern-day version of film-noir, "neo-noir", present in many thrillers from the early 1980s to the mid 1990s.
The film centers on college student Jeffrey Beaumont (Maclachlan), who, returning from visiting his ill father in the hospital, comes across a human ear in a field in his hometown of Lumberton. He proceeds to investigate the ear with help from a high school student, Sandy Williams (Dern), who provides him with information and leads from her father, a local police detective. Jeffrey's investigation draws him deeper into his hometown's seedy underworld, and sees him forming a sexual relationship with the alluring torch singer, Dorothy Vallens (Rossellini), and uncovering psychotic criminal Frank Booth (Hopper), who engages in drug abuse, kidnapping, and sexual violence.
