Gods and Monsters is a 1998 drama film that recounts the (somewhat fictionalized) last days of the life of troubled film director James Whale, whose homosexuality is a central theme. It stars Ian McKellen as Whale, along with Brendan Fraser, Lynn Redgrave, Lolita Davidovich, and David Dukes. The movie was directed and written by Bill Condon from Christopher Bram's novel Father of Frankenstein. It was executive produced by British horror novelist Clive Barker.
The film won the Academy Award for Best Adapted Screenplay, and was nominated for Best Actor in a Leading Role (Ian McKellen) and Best Actress in a Supporting Role (Lynn Redgrave).
The film features reconstructions of the filming of Bride of Frankenstein, a movie Whale directed. The title comes from a line in Bride of Frankenstein, in which the character Dr. Pretorius toasts Dr. Frankenstein, "To a new world of gods and monsters."
The First Wives Club is a 1996 comedy film, based on the best-selling 1992 novel of the same name by Olivia Goldsmith. Narrated by Diane Keaton, it stars Keaton, Goldie Hawn, and Bette Midler as three divorced women who seek revenge on their husbands who left them for younger women. Stephen Collins, Victor Garber and Dan Hedaya co-star as the husbands, and Sarah Jessica Parker, Marcia Gay Harden and Elizabeth Berkley as their lovers, with Maggie Smith, Bronson Pinchot and Stockard Channing also starring. Scott Rudin produced and Hugh Wilson directed; the film was distributed by Paramount Pictures.
The film became a surprise box-office hit following its North American release, eventually grossing $181,490,000 worldwide, mostly from its domestic run, despite receiving mediocre reviews. Developing a cult following among middle-aged women, the actresses' highest-grossing project of the decade helped revitalize their careers in film and television. Composer Marc Shaiman was nominated for an Academy Award for Best Original Music Score, while Hawn was awarded a Blockbuster Entertainment Award and both Midler and Parker received Satellite Award nominations for their portrayals.
The Good Earth (1937) is a film about Chinese farmers who struggle to survive. It was adapted by Talbot Jennings, Tess Slesinger, and Claudine West from the play by Donald Davis and Owen Davis, which was in itself based on the 1931 novel of the same name by Nobel Prize-winning author Pearl S. Buck The film was directed by Sidney Franklin, Victor Fleming (uncredited) and Gustav Machaty (uncredited).
The film starred Paul Muni as Wang Lung. For her role as his wife O-Lan, Luise Rainer won an Academy Award for Best Actress. The film also won the Academy Award for Best Cinematography for Karl Freund. It was nominated for Best Director, Best Film Editing and Best Picture. Its world premiere was at the elegant Carthay Circle Theatre in Los Angeles.
Farmer Wang Lung (Paul Muni) marries O-Lan (Luise Rainer), a lowly servant at the Great House, the residence of the most powerful family in their village. O-Lan proves to be an excellent wife, hard working and uncomplaining. Wang Lung prospers. He buys more land, and O-Lan gives birth to two sons and a daughter. Meanwhile, the Great House begins to decline.
All is well until a drought and the resulting famine drive the family to the brink. Desperate, Wang Lung considers the advice of his pessimistic, worthless uncle (Walter Connolly) to sell his land for food, but O-Lan opposes it. Instead, they travel south to a city in search of work. The family survives by begging and stealing. When a revolutionary gives a speech to try to drum up support for the army approaching despite rain in the north, Wang Lung and O-Lan realize the drought is over. They long to return to their farm, but they have no money for an ox, seed, and food.
The city changes hands and O-Lan joins a mob looting a mansion. However, she is knocked down and trampled upon. When she comes to, she finds a bag of jewels overlooked in the confusion. This windfall allows the family to go home and prosper once more. O-Lan asks only to keep two pearls for herself.
The Power of One is a 1992 dramatic film based on the 1989 novel of the same name by Bryce Courtenay. Set in South Africa during the '30s and '40s, the film centers on the life of Peter Philip 'P.K.' Kenneth-Keith (Guy Witcher), a young English boy raised during the apartheid era, and his relationship with a German pianist, a black prisoner, and a boxing coach. Directed and edited by John G. Avildsen, the film stars Stephen Dorff, John Gielgud, Morgan Freeman, Armin Mueller-Stahl, and Daniel Craig in one of his early roles.
Born in 1930 to a recently widowed British-born mother on a farm in rural South Africa, P.K. leads a simple life initially, learning the ways of England from his mother and the ways of Africa from his Zulu nanny (Nomadlozi Kubheka), whose son Tonderai is his best friend. However everything changes for the worse for P.K. when the cattle are struck down by plague, causing his mother to have a nervous breakdown. While his mother is recovering, PK is sent to an Afrikaner boarding school. Being the only English boy, he soon becomes the target of serious bullying: Fellow students claim to hold him responsible for the deaths of thousands of Afrikaners during the Second Anglo-Boer War and vow to punish him accordingly.
PK is victimised by all the boys at the school, but most of all by the older boys, led by a teen known as Jaapie Botha or "The Judge." In one incident, PK is urinated on by Botha and other students, earning the name "Pisskop" (pisshead in Afrikaans) and causing him to wet his bed often to avoid confronting the teens. Later when he goes home to attend his mother's funeral, he tells Nanny about the bedwetting. She arranges for the Zulu medicine man Dabula Manzi to come and cure PK of his bedwetting. Dabula Manzi helps PK to conquer his fears by leading him into the dreamworld (he touches the trunk of a charging elephant, causing it to be docile). PK is given a chicken, which he names Mother Courage, and becomes possibly PK's best friend he'll ever have during his childhood.
Don't be fooled by the intensity of these 'stabbing needle' scenes. The dramatic film is much more rewarding.
Eye of the Needle is a 1981 film directed by Richard Marquand, based on the novel of the same title by Ken Follett, and starring Donald Sutherland. The Storm Island scenes were shot over eight weeks on the Isle of Mull in the Inner Hebrides.
A man calling himself Henry Faber is actually "the Needle," a German spy in England bearing critical information on Allied invasion plans that he must deliver personally to the Führer. He's so named because of his preferred method of assassination, the stiletto. He is a coldly calculating psychopath, emotionlessly focused on the task at hand, whether the task is to signal a U-boat or to gut a witness to avoid exposure.
On his way back to Germany, a fierce storm strands him on Storm Island, occupied only by a woman named Lucy (Kate Nelligan), her disabled husband, their son, and their shepherd, Tom. A romance develops between the woman and the spy, due to an estrangement of affections between Lucy her husband, whose accident has rendered him emotionally crippled as well.
The love affair suggests there's a sympathetic personality buried somewhere inside the Nazi spy, though he remains enigmatic. Early on, we discover that he may not enjoy the hand life has dealt him. When a courier asks him about the way he lives, and "What else can one do?" the Needle answers, "One can just stop."
Lucy realizes that her lover has been lying after she discovers her husband's dead body. "The Needle" must get to Tom's radio in time to report to his superiors the exact location of the D-Day invasion. Lucy is the Allies' last chance. He is reluctant to harm her, but she has no such qualms and shoots him as he tries to escape in a boat.
The 1965 version of Ten Little Indians is the second film version of Agatha Christie's detective novel And Then There Were None. Although its background story is the same as the 1945 version (ten people invited to a stranded area by a mysterious stranger), this one takes place on an isolated snowy mountain. The house used in the film was Kenure House in Rush, North County Dublin, Ireland.
This version is also the first adaptation of the novel to show the murders on screen. An uncredited Christopher Lee provides the pre-recorded voice of "Mr. Owen".
This adaptation has been retooled to fit the attitude of the "swinging sixties," such as changing the character of the repressed spinster into a glamorous movie star, adding a lot more action to complement the mystery, a fight scene and even a sex scene. The film is 91 minutes long and is in black and white. Other changes include William Blore not faking his identity as Mr. Davis and essentially changing the backstory of most of the characters.
The ending was changed to a less pessimistic one, heavily borrowing from the upbeat finale Christie wrote for the stage version of the story, which was and remains completely at odds with the very downbeat ending of her original mystery thriller.
The Notebook is a 2004 romantic film directed by Nick Cassavetes, based on the novel of the same name by Nicholas Sparks. The film stars Ryan Gosling and Rachel McAdams as a young couple who fall in love during the early 1940s in their country town of Seabrook. Their story is narrated from the present day by an elderly man played by James Garner, telling the tale to a fellow nursing home resident, played by Gena Rowlands.
Allie and Noah break up, but immediately regret the decision. Allie's family leaves Seabrook the next day and Noah, devastated, writes her one letter every day for a year. Allie's mother intercepts and hides them. When Allie does not reply to the letters, Noah moves to Atlanta, Georgia. When Pearl Harbor is attacked, he enlists in the army for World War II while Allie attends college.
While in college, Allie volunteers as a nurse's aide for wounded soldiers and meets the injured Lon Hammond, Jr. (James Marsden). He is handsome, charming, and from a wealthy family. Lon and Allie get engaged; meanwhile, Noah returns home. Noah's father tells him that he is selling out so that Noah can purchase the Windsor Plantation (the abandoned Antebellum house, which Noah had promised Allie he would restore for her). While visiting Charleston, South Carolina, Noah sees Allie in the street. He watches her and sees her kissing Lon. Noah restores the old house, believing that if he keeps his promise to her, Allie will come back. Once he is finished, he tries to sell it, but cannot bear to part with it.
In the present, it is evident that the elderly woman is Allie and the storyteller is Noah. She does not recognize their children and family due to Alzheimer's disease.
Actress Anette Bening is simply FANTASTIC in this film.
Being Julia is a 2004 drama film with comic undertones directed by István Szabó and starring Annette Bening and Jeremy Irons. The screenplay by Ronald Harwood is based on the 1937 novel Theatre by W. Somerset Maugham. The original music score is composed by Mychael Danna.
Set in London in 1938, the film focuses on highly successful and extremely popular theatre actress Julia Lambert, whose gradual disillusionment with her career as she approaches middle age has prompted her to ask her husband, stage director Michael Gosselyn, and his financial backer, Dolly de Vries, to close her current production to allow her time to travel abroad. They convince her to remain with the play throughout the summer, and Michael introduces her to Tom Fennel, an enterprising American who confesses his deep appreciation of her work. Seeking the passion missing from her marriage, and anxious to fill the void left when her close friend Lord Charles suggested they part ways to avoid scandalous gossip, Julia embarks on a passionate affair with the young man and begins to support him so he may enjoy the glamorous lifestyle to which she has introduced him. Their relationship revives her, sparking a distinct change in her personality. Always hovering in the background and offering counsel is the spirit of her mentor, Jimmie Langton, the theatrical manager who gave Julia her start and made her a star, while flesh-and-blood Evie serves as her personal maid, dresser, and confidante.
Michael suggests they invite Tom to spend time at their country estate, where he can become better acquainted with their son Roger. At a party there Tom meets aspiring actress Avice Crichton, and when Julia sees him flirting with the pretty young woman she becomes jealous and anxious and angrily confronts him. He slowly reveals himself to be a callous, social-climbing, gold-digging gigolo, and Julia is shattered when their affair comes to an end.
One Flew Over the Cuckoo's Nest is a 1975 American drama film directed by Miloš Forman and based on the 1962 novel of the same name by Ken Kesey.
The film was the second to win all five major Academy Awards (Best Picture, Actor in Lead Role, Actress in Lead Role, Director, and Screenplay) following It Happened One Night in 1934, an accomplishment not repeated until 1991 by The Silence of the Lambs.
The film is #20 on the American Film Institute's 100 Years... 100 Movies list. It was shot at Oregon State Hospital in Salem, Oregon, which was also the setting of the novel.
I recently finished reading this book/novel by Stendhal and learned of a French film version (1997) that I immediately watched after reading the book. I was quite pleased
by the 2-DVD and how they did a great job depicting the storyline. Of course, the details in the book are always better but this was very well done with excellent casting choices.
Le Rouge et le Noir (The Red and the Black), 1830, by Stendhal, is a historical psychological novel in two volumes, chronicling a provincial young man’s attempts to socially rise beyond his plebeian upbringing with a combination of talent and hard work, deception and hypocrisy — yet who ultimately allows his passions to betray him.
The novel’s composite full title, Le Rouge et le Noir, Chronique du XIXe siécle (The Red and the Black: A Chronicle of the 19th Century), indicates its two-fold literary purpose, a psychological portrait of the romantic protagonist, Julien Sorel, and an analytic, sociological satire of the French social order under the Bourbon Restoration (1814–30). In English, Le Rouge et le Noir is variously translated as Red and Black, Scarlet and Black, and The Red and the Black, without the sub-title.
The Color Purple is a 1985 American period drama film directed by Steven Spielberg, based on the Pulitzer Prize-winning novel of the same name by Alice Walker.
It was Spielberg's eighth film as a director (not including the 1971 television film Duel), and was a change from the summer blockbusters for which he had become famous. Filmed in Anson and Union counties in North Carolina, the film tells the story of a young African American girl named Celie and shows the problems African American women faced during the early 1900s, including poverty, racism, and sexism. Celie is transformed as she finds her self-worth through the help of two strong female companions.
A Room with a View is a 1908 novel by English writer E. M. Forster, about a young woman in the repressed culture of Edwardian England. Set in Italy and England, the story is both a romance and a critique of English society at the beginning of the 20th century. Merchant-Ivory produced an award-winning film adaptation in 1985. In 1998, the Modern Library ranked A Room with a View 79th on its list of the 100 best English-language novels of the 20th century. The 1985 British drama film directed by James Ivory and produced by Ismail Merchan is a close adaptation of E. M. Forster's novel, and even uses his chapter titles to divide the film into sections. The film stars Helena Bonham Carter as a young woman in the restrictive Edwardian culture of turn-of-the century England and her love for a free-spirited young man. Maggie Smith, Denholm Elliott, Julian Sands, Simon Callow, Judi Dench, Daniel Day-Lewis, and Rupert Graves round out the principal cast. Elliott and Smith were nominated for Academy Award for Best Supporting Actor and Academy Award for Best Supporting Actress, but lost to Michael Caine and Dianne Wiest from Hannah and Her Sisters.
The Time Machine is a 2002 American science fiction film loosely adapted from the 1895 novel of the same name by H. G. Wells, and the 1960 film screenplay by David Duncan. It was executive-produced by Arnold Leibovit and directed by Simon Wells, who is the great-grandson of the original author, and stars Guy Pearce, Jeremy Irons, Orlando Jones, Samantha Mumba, Mark Addy, Sienna Guillory, and Phyllida Law with a cameo by Alan Young, who also appeared in the 1960 film adaptation.
The 2002 film is set in New York City instead of London and contains new story elements not present in the original novel, including a romantic backstory, a new scenario about how civilization was destroyed, and several new characters, such as an intelligent hologram played by Orlando Jones and a Morlock leader played by Jeremy Irons.
Director Gore Verbinski was brought in to take over the last 18 days of shooting, as Wells was suffering from "extreme exhaustion". Wells returned for post-production.
Tess of the d'Urbervilles: A Pure Woman Faithfully Presented, also known as Tess of the d'Urbervilles: A Pure Woman, Tess of the d'Urbervilles or just Tess, is a novel by Thomas Hardy, first published in 1891. It initially appeared in a censored and serialised version, published by the British illustrated newspaper, The Graphic. It is Hardy's penultimate novel, followed by Jude the Obscure. Though now considered an important work of English literature, the book received mixed reviews when it first appeared, in part because it challenged the sexual mores of Hardy's day. The original manuscript is on display at the British Library, showing that it was originally titled "Daughter of the d'Urbervilles.
The 1979 "TESS" film directed by Roman Polanski, as an adaptation of Thomas Hardy's 1891 novel Tess of the d'Urbervilles tells the story of a strong-willed, young peasant girl who finds out she has title connections by way of her old aristocratic surname, who is raped by her wealthy cousin, whose right to the family title may not be as strong as he claims. The screenplay was by Gérard Brach, John Brownjohn, and Roman Polanski.
Polański made the film because the last time he saw his wife Sharon Tate alive (before she was murdered by Charles Manson's family), she had given him a copy of Tess of the d'Urbervilles and said it would make a great film. The dedication at the opening of the film reads simply: "to Sharon".
Although the film is set in England, it was filmed in Locronan, Brittany, France. Polanski was wanted as a fugitive in the United States, and he could have been extradited from the United Kingdom.
On 28 October 1978, cinematographer Geoffrey Unsworth died of a heart attack during the third week of shooting. Most of the scenes he shot were exteriors in the first half of the film and can be distinguished by their use of fog and slight diffusion. Ghislain Cloquet shot the remainder of the film, including most of the interior scenes, without diffusion. Unsworth and Cloquet were both named in the successful nomination for Academy Award for Best Cinematography. Cloquet alone was nominated for and won the César Award for Cinematography. This is the perfect film for a rainy afternoon or night.
Cool Hand Luke is a 1967 American prison drama film directed by Stuart Rosenberg and starring Paul Newman. The screenplay was adapted by Donn Pearce and Frank Pierson from Pearce's 1965 novel of the same name. The film features George Kennedy, Strother Martin, J.D. Cannon and Morgan Woodward.
Newman stars in the title role as Luke, a prisoner in a Florida prison camp who refuses to submit to the system. In 2005, the United States Library of Congress deemed Cool Hand Luke to be "culturally, historically, or aesthetically significant" and selected it for preservation in the National Film Registry.
Luke Jackson (Paul Newman) is arrested for cutting the heads off a town's parking meters one drunken night in the late 1940s. He is sentenced to two years in prison and sent to a Florida prison camp, run by the heartless Captain (Strother Martin). Luke is revealed to be a decorated World War II veteran, and is initially known to the other prisoners as "Lucas War-Hero." Luke fails to observe the established pecking order among the prisoners and quickly runs afoul of the prisoners' de facto leader, Dragline (George Kennedy). The pair spar, with the prisoners and guards watching, and although Luke is severely outmatched by the larger Dragline, he repeatedly refuses to stay down and eventually Dragline refuses to fight further. Luke suffers a beating but wins the respect of Dragline and the rest of the prison population. Later, Luke wins a poker game on a bluff with a worthless hand; Luke comments that "sometimes nothing can be a real cool hand," and Dragline gives him the nickname "Cool Hand Luke."
Summer of '42 is a 1971 American coming of age drama film based on the memoirs of screenwriter Herman Raucher. It tells the story of how Raucher, in his early teens on his 1942 summer vacation on Nantucket Island, off the coast of New England, embarked on a one-sided romance with a woman, Dorothy, whose husband had gone off to fight in World War II.
The film was directed by Robert Mulligan, and starred Gary Grimes as Hermie, Jerry Houser as his best friend Oscy, Oliver Conant as their nerdy young friend Benjie, Jennifer O'Neill as Hermie's mysterious love interest, and Katherine Allentuck and Christopher Norris as a pair of girls whom Hermie and Oscy attempt to seduce. Mulligan also has an uncredited role as the voice of the adult Hermie. Maureen Stapleton (Allentuck's real life mother) also appears in a small, uncredited voice role (calling after Hermie as he leaves the house in an early scene, and after he enters his room in a later scene).
Raucher's novelization of his screenplay was released prior to the film's release and became a runaway bestseller, to the point that audiences lost sight of the fact that the book was based on the film and not vice-versa. Though a pop culture phenomenon in the first half of the 1970s, the novelization went out of print and slipped into obscurity throughout the next two decades until a Broadway adaptation in 2001 brought it back into the public light and prompted Barnes & Noble to acquire the publishing rights to the book.
This is a great film about survival. I remember watching it as a kid and I was amazed. I never wanted to fine myself alone in the desert. Walkabout is a 1971 film set in Australia, directed by Nicolas Roeg and starring Jenny Agutter, Luc Roeg (credited as Lucien John) and David Gulpilil. Edward Bond wrote the screenplay, which is loosely based on the novel Walkabout by James Vance Marshall. Walkabout premiered in competition at the 1971 Cannes Film Festival.
A schoolgirl (Jenny Agutter) and her much younger brother (Luc Roeg) walk home across the urban landscape of Sydney, Australia. Their father, a geologist, drives them far into the outback, where they stop for a picnic. Suddenly, without warning, he begins shooting at them. When they run behind rocks for cover, he sets the car on fire and kills himself. The girl conceals what has happened from her brother. After she has salvaged what she can, the pair head out into the desert.
By dawn the next day, they are weak from exposure, and the boy can barely walk. Discovering a small pool with a fruiting tree, they spend the day playing, bathing, and resting. Next morning, the pool has dried up. A young Aboriginal boy (David Gulpilil) appears. Though the girl cannot communicate with him, her brother mimes their need for water, and the newcomer cheerfully shows them how to draw it from the drying bed of the oasis.
The three travel together for several days, with the Aborigine sharing food he has caught hunting. The boys learn to communicate, using words and mime. The Aboriginal boy and the girl notice each other's bodies, and at one point, while he is hunting, she swims naked in a deep pool.
L.A. Confidential is a 1997 American film based on James Ellroy's 1990 novel of the same title, the third book in his L.A. Quartet. Both the book and the film tell the story of a group of LAPD officers in the 1950s, and the intersection of police corruption and Hollywood celebrity. The film adaptation was produced and directed by Curtis Hanson and co-written by Hanson and Brian Helgeland.
At the time, Australian actors Guy Pearce and Russell Crowe were relatively unknown in North America, and one of the film's backers, Peter Dennett, was worried about the lack of established stars in the lead roles. However, he supported Hanson's casting decisions and this gave the director the confidence to approach Kevin Spacey, Kim Basinger, and Danny DeVito.
Critically acclaimed, the film holds a 99% rating at Rotten Tomatoes with 82 out of 83 reviews positive and average rating of 8.6 out of 10, as well as an aggregated rating of 90% based on 28 reviews on Metacritic. It was nominated for nine Academy Awards and won two, Basinger for Best Actress in a Supporting Role and Hanson and Helgeland for Best Screenplay - Adapted.
The Grifters is a 1990 neo-noir film directed by Stephen Frears and produced by Martin Scorsese. It stars John Cusack, Anjelica Huston and Annette Bening and is based upon The Grifters, a pulp novel by Jim Thompson.
Lilly Dillon is a veteran con artist who begins to rethink her life when her son Roy, a small-time grifter, suffers an almost-fatal injury when hit with a thrust from the blunt end of a baseball bat, right after a failed scam.
Lilly works for a bookmaker, Bobo Justus, handling playback at the tracks — that is, betting money to lower the odds of longshots. On her way to La Jolla for the horse races, she stops in Los Angeles to visit Roy, whom she hasn't seen in eight years. She finds him in pain and bleeding internally. When medical assistance finally comes, Lilly confronts the doctor, threatening to have him killed if her son dies.
At the hospital, Lilly meets and takes an instant dislike to Roy's girlfriend, Myra Langtry, who is a few years older than her son. Lilly urges her son to quit the grift, saying he literally doesn't have the stomach for it. Because she leaves late for La Jolla, she misses a race where the winner was paying 70-1. For this mistake, Bobo burns her hand with a cigar.
Myra plays all the angles. She uses her body to persuade her landlord to overlook the rent. She makes a similar offer to a jeweler to get what she wants for a gem she is trying to pawn.
Upon leaving the hospital, Roy takes Myra to La Jolla for the weekend. On the train, she notices him conning a group of sailors in a rigged dice game. Myra reveals to Roy that she is also a grifter and is looking for a new partner for a long-con operation.
The project originated with Martin Scorsese who subsequently brought in Stephen Frears to direct while he produced. Frears had just finished making Dangerous Liaisons and was looking for another project when Scorsese approached him. The British filmmaker was drawn to Thompson's "tough and very stylistic" writing and described it, "as if pulp fiction meets Greek tragedy". Scorsese looked for a screenwriter, and filmmaker Volker Schlöndorff recommended Donald Westlake.
Frears contacted Westlake who agreed to re-read the Thompson novel but, after doing so, turned the project down, citing the story as "too gloomy." Frears then phoned Westlake and convinced him that he saw the story as a positive one, if considered as a story of Lily's drive to survive. Westlake changed his mind and agreed to write the adaptation. Frears was unsuccessful, however, at convincing Westlake to write the script under his pseudonym "Richard Stark," a name he had used to write 20 noir-influenced crime novels from 1962 through 1974. (Stark's name appears in the film, though, on a sign reading "Stark, Coe and Fellows"; Westlake explains in the film's commentary track that he has written novels as Richard Stark, Tucker Coe and "some other fellows.")
Strangers on a Train is an American psychological thriller produced and directed by Alfred Hitchcock. It was shot in the autumn of 1950 and released by Warner Bros. on June 30, 1951. The film stars Farley Granger, Ruth Roman and Robert Walker, and features Leo G. Carroll, Patricia Hitchcock and Laura Elliott.
The film was based on the 1950 novel of the same name by Patricia Highsmith.
This film is number 32 on AFI's 100 Years... 100 Thrills.
Amateur tennis star Guy Haines (Farley Granger) wants to divorce his vulgar and unfaithful wife Miriam (Laura Elliott), so he can marry the woman he loves, the elegant and beautiful Anne Morton (Ruth Roman), daughter of a senator (Leo G. Carroll). While on a train to meet Miriam, Haines meets Bruno Anthony (Robert Walker), a forward stranger who recognizes Guy from gossip items in the newspapers and knows about his marital problems. During lunch in Bruno's compartment, Bruno tells Guy about his idea for the perfect murder(s): he will kill Miriam and in exchange, Guy will kill Bruno's father. "Criss-cross", he says. Since both are strangers, otherwise unconnected, there is no identifiable motive for the crimes, Bruno contends, hence no suspicion. Guy hurriedly leaves the compartment but leaves Bruno thinking he has agreed to the deal. Guy accidentally leaves his cigarette lighter behind, a gift from Anne to Guy, which Bruno pockets.
Bruno heads to Guy's hometown of Metcalf and follows Miriam and her two beaux to an amusement park, where he briefly illuminates her face with Guy's lighter, then strangles her to death. Guy's problems begin when his alibi —
Strangers on a Train was nominated for an Academy Award for Best Black and White Cinematography, which was overseen by director of photography Robert Burks. Alfred Hitchcock was nominated for Best Director by the Directors' Guild of America. The film was nominated as Best Picture by the National Board of Review.
